ILLUSTRATED FLORA OF EAST TEXAS - Brit - Botanical Research ...

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BOTANICAL ART IN EAST TEXAS/INTRODUCTION 263 FIG. 163/ PAINTING OF BARN SWALLOW AND NYMPHAEA (WATER LILY, NYMPHAEACEAE) BY SCOTT AND STUART GENTLING. FROM GENTLING AND GENTLING (2001), USED WITH PERMISSION OF THE ARTISTS.
264 INTRODUCTION/BOTANICAL ART IN EAST TEXAS FIG. 164/ LINE DRAWING ILLUSTRATION OF FIMBRISTYLIS DECIPIENS (CYPERACEAE) BY ROBERT “BOB”KRAL.USED WITH PERMISSION OF THE ARTIST. RUTH ANDERSSON MAY, of Dallas, is an artist and conservationist who has painted over 500 watercolors of wildflowers, including many from East Texas (Fig. 165). With formal training in both natural history and art and a love for wildflowers, she brings a special perspective to her art. Her work has been exhibited at numerous places, including the Rancho Santa Ana Botanic Garden, the National Tropical Botanical Garden, and the San Antonio Botanical Center and is on permanent display at the Lady Bird Johnson Wildflower Center and the Botanical Research Institute of Texas. She has been a prime force in maintaining and protecting Harry S. Moss Park in Dallas and has received awards for the implementation of educational programs at Moss Park through which children learn about native wildflowers. JANE MOLPUS, an artist residing in Fort Worth, has produced numerous paintings of botanical subjects (Fig. 166). As a board member of the Botanical Research Institute of Texas, she has contributed a variety of botanical art for use by the Institute. GERALDINE WATSON, botanist, writer, and conservationist, is a native of the Big Thicket. She lives near Silsbee and maintains the Watson Pinelands Preserve, which is dedicated to preserving a portion of the diversity of the Big Thicket. Watson has devoted much of her life to protecting the Big Thicket, with efforts ranging from identifying and collecting plants for the University of Texas at Austin and the National Park Service to her many publications
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ILLUSTRATED FLORA OF EAST TEXAS
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ALLDREDGE, LINDA & JACK BATTERBAE,
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We would like to recognize and expr
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ISSN 0833-1475 ISBN 1-889878-12-X S
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“DEEP EAST TEXAS IS AN OLD, QUIET
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Elray S. Nixon E lray Nixon was bor
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ILLUSTRATED FLORA OF EAST TEXAS TAB
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TABLE OFCONTENTS/ PAGE APPENDICES A
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Hymenocallis liriosme
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ILLUSTRATED FLORA OF EAST TEXAS OVE
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4 INTRODUCTION/GEOGRAPHIC AREA OF E
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10 INTRODUCTION/MAJOR RIVERS OF EAS
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12 INTRODUCTION/PLANTS TREATED The
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14 INTRODUCTION/GUIDE TO ARRANGEMEN
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16 INTRODUCTION/GUIDE TO SOURCES OF
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18 INTRODUCTION/GUIDE TO GEOGRAPHIC
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20 INTRODUCTION/GUIDE TO ENDANGERED
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22 INTRODUCTION/GUIDE TO GLOSSARY,
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24 INTRODUCTION/GUIDE TO ABBREVIATI
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26 INTRODUCTION/SUMMARY DATA ON FLO
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28 INTRODUCTION/ACKNOWLEDGMENTS Kar
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30 INTRODUCTION/AUTHORS’ NOTE Pre
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32 INTRODUCTION/GENERAL GEOLOGY OF
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46 INTRODUCTION/SOILS SOIL ORDER DE
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48 INTRODUCTION/SOILS, EAST TEXAS B
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50 INTRODUCTION/SOIL-RELATED GEOLOG
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60 INTRODUCTION/SOILS OF BLACKLAND
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66 INTRODUCTION/CLIMATE OF EAST TEX
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Forests define East Texas, and to a
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78 INTRODUCTION/GEOLOGY OF PINEYWOO
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80 INTRODUCTION/PRESETTLEMENT, EARL
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88 INTRODUCTION/PRESETTLEMENT VEGET
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90 INTRODUCTION/CURRENT VEGETATION
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106 INTRODUCTION/POST OAK SAVANNAH
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110 INTRODUCTION/GEOLOGY AND SOILS
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112 INTRODUCTION/SOILS, FIRE, AND T
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114 INTRODUCTION/SOILS, FIRE, AND T
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116 INTRODUCTION/ PRESETTLEMENT, EA
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118 INTRODUCTION/VEGETATION OF POST
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124 INTRODUCTION/CONDITIONS TODAY O
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128 INTRODUCTION/RED RIVER AREA are
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130 INTRODUCTION/BLACKLAND PRAIRIE
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132 INTRODUCTION/GEOLOGY OF BLACKLA
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134 INTRODUCTION/PRESETTLEMENT AND
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144 INTRODUCTION/VEGETATION OF BLAC
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146 INTRODUCTION/FUTURE OF BLACKLAN
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148 INTRODUCTION/FUTURE OF BLACKLAN
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150 INTRODUCTION/CADDO LAKE LOCATIO
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152 INTRODUCTION/CADDO LAKE FIG.84/
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154 INTRODUCTION/PRESENT AND FUTURE
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156 INTRODUCTION/BIG THICKET THE BI
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158 INTRODUCTION/BIG THICKET GEOGRA
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160 INTRODUCTION/NATURAL HISTORY OF
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172 INTRODUCTION/SUMMARY DEFINITION
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184 INTRODUCTION/HISTORY OF BIG THI
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190 INTRODUCTION/CONSERVATION IN BI
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200 INTRODUCTION/ORIGIN AND DIVERSI
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Page 229 and 230: 212 INTRODUCTION/ORIGIN AND DIVERSI
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Page 251 and 252: 234 INTRODUCTION/HISTORY OF BOTANY
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Page 271 and 272: 254 INTRODUCTION/OTHER CONTRIBUTION
Page 273 and 274: 256 INTRODUCTION/CURRENT BOTANICAL
Page 275 and 276: 258 INTRODUCTION/BOTANICAL ART IN E
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