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ILLUSTRATED FLORA OF EAST TEXAS - Brit - Botanical Research ...

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268 INTRODUCTION/BOTANICAL ART IN <strong>EAST</strong> <strong>TEXAS</strong><br />

FIG. 168/PAINTING <strong>OF</strong> NEMASTYLIS GEMINI<strong>FLORA</strong> (PRAIRIE-CELESTIAL,IRIDACEAE) BY ELIZA GRIFFIN JOHNSTON.FROM JOHNSTON (1972), WITH PERMISSION <strong>OF</strong><br />

THE DAUGHTERS <strong>OF</strong> THE REPUBLIC <strong>OF</strong> <strong>TEXAS</strong>,TRAVIS COUNTY CHAPTER.<br />

The late MARY JO LAUGHLIN (1932–1986), who lived and painted for many years in<br />

McKinney, Texas, had a deep love of wildflowers and a strong drive to portray them in<br />

watercolors (Fig. 169). Her “botanically accurate style” is said to have been influenced by<br />

the famous Luxembourg-born artist Pierre Joseph Redouté and other botanical artists, as<br />

well as by antique botanical prints in the collection of the Heard Natural Science Museum<br />

(Fairchild 1989). “Her extensive reading and studying transformed Mary Jo into a knowledgeable<br />

amateur botanist with a deep concern for the preservation and perpetuation of<br />

wildflowers” (Fairchild 1989). She was a prolific painter, and during a career spanning<br />

nearly three decades Laughlin produced more than 1,500 wildflower paintings (Fairchild<br />

1989). Her work can be seen in Grimmer (1982) and Fairchild (1989), and a number of<br />

her paintings are permanently preserved and displayed at the <strong>Botanical</strong> <strong>Research</strong> Institute<br />

of Texas through the generosity of her husband, Harold Laughlin.

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