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PE2379 ch07.qxd 24/1/02 16:08 Page 583<br />

voice 3<br />

in writing, the self-representation or positioning that a writer presents in<br />

a text. Voice may be reflected in the writer’s way <strong>of</strong> representing the<br />

world, in the writer’s relative tentativeness or authority in terms <strong>of</strong> his or<br />

her relationship with the reader, and in the writer’s preferred way <strong>of</strong> turning<br />

meaning into text.<br />

see also AUDIENCE<br />

voice onset time n<br />

also VOT<br />

when pronouncing STOPs, such as /p/, /b/ in pin, bin, the two articulators<br />

(i.e. the lips) are closed and then opened again. With /b/ the VOCAL CORDs<br />

are vibrating to produce a voiced stop (see VOICE 2 ). The voice onset time<br />

is a relationship between these two factors. It is the point in time at which<br />

the voicing starts in relation to the opening <strong>of</strong> the two articulators. For<br />

example, the voice onset time for French, Spanish and Thai /b/ is generally<br />

earlier than that for English /b/.<br />

voice-over n<br />

commentary spoken by an unseen narrator, for example in films, television<br />

programmes, and commercials.<br />

voice quality n<br />

the overall impression that a listener obtains <strong>of</strong> a speaker’s voice. It is also<br />

sometimes called timbre, and refers to those characteristics <strong>of</strong> a particular<br />

voice that enable the listener to distinguish one voice from another,<br />

such as when a person is able to identify a telephone caller. Voice quality<br />

is known to be influenced by many factors, including, gender, age,<br />

anatomy (e.g. height, weight, muscularity, geometry <strong>of</strong> the laryngeal<br />

structures, respiratory volume), emotional states (e.g. fear, anger, sexual<br />

arousal), and state <strong>of</strong> health (e.g. laryngitis, emphysema, Parkinson’s disease,<br />

intoxication), as well as by the habitual adjustments made by individual<br />

persons <strong>of</strong> the vocal tract (resulting, for example, in “harsh”,<br />

“whispery”, or “creaky” voice), and also by the characteristic ARTICULA-<br />

TORY SETTING associated with a specific language, dialect, or social variety<br />

<strong>of</strong> a particular language.<br />

voice synthesizer n<br />

see SPEECH SYNTHESIS<br />

VO language<br />

VO language n<br />

a language in which the verb usually precedes the object, in contrast to an<br />

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