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Untitled - Monoskop

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DISPLAY AND ADVERTISEMENT OF PRIVILEGES<br />

the king as 'trespuissant et treschrestien prince Fran^oys de Valleys par la<br />

grace de dieu Roy de France premier de ce nom' was filled in by hand. I<br />

think the decision to omit Louis XII's privilege from the presentation copy<br />

must have been taken to the belief that he would no longer be alive by the<br />

time the book was presented.<br />

Symphorien Champier had his Grans croniques des gestes des princes des pays de<br />

Savqye published in 1516 and dedicated it to Louise of Savoy, mother of the<br />

new king Francis I.Jean de La Garde, who was the publisher and printer of<br />

it, obtained a privilege for it from the Parlement of Paris (PA 1516, 4), and<br />

he printed the privilege on the verso of the title-page, with the Arms of<br />

France, as well as putting 'Cum priuilegio' on the title-page itself. In the<br />

vellum copy prepared for presentation to Louise herself, however (BN Velins<br />

1173), all reference to the privilege has been eliminated. The title-page has<br />

been re-set by the printer without the words 'Cum priuilegio', and the verso<br />

retains only the Arms of France, the rest of the page being left blank. Indeed<br />

everything relating to the commercial production of the book has been<br />

removed. The last leaf, bearing the long colophon which gives details of the<br />

publisher and the date, has been removed, and, on the title-page, the words<br />

'nouvellement imprimees a Paris pour Jehan de la garde. Champier.', which<br />

follow the title of the book, have been carefully erased by hand. Instead, the<br />

Arms of Savoy on the title-page and the Arms of France on the verso have<br />

been gilded and coloured. Where the first page of the text, in the ordinary<br />

copies, has a woodcut showing a scholar at work, the presentation copy has a<br />

miniature showing Louise receiving the book, enthroned beside her son the<br />

king, and all the illustrations and the initials are embellished with gold and<br />

colours.<br />

In the copy of Paulus Aemilius, De rebus gestis Francorum, presumed to have<br />

been prepared for the king himself (BN Velins 734) the first printed leaf has<br />

been removed, and the recto of the second leaf, carrying the beginning of the<br />

preface, is decorated by hand in gold and colours with a border incorporating<br />

the king's personal emblem of the salamander and the arms of France. In<br />

eliminating the ordinary title-page, the person who prepared this copy suppressed<br />

the summary of the privilege (CH 1517, 7), which, as we know from<br />

paper copies of the book (e.g. BN Res.L 35 22), was printed there.<br />

From the printer's point of view, any modifications required to produce a<br />

unique copy for presentation might be costly, but they were not particularly<br />

difficult. All printing on vellum demanded great skill and had to be specially<br />

done, whether a whole book or a few pages in a book, such as the Canon of<br />

the Mass which, receiving much harder wear than the rest of the Missal as it<br />

was in daily use, was often printed on vellum even when the edition was in<br />

other respects on paper. To re-set a page, omitting certain features of the<br />

paper copies, was a relatively simple matter, if the customer wanted it so and<br />

was ready to pay extra for it.<br />

162

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