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NOTE ON TRANSCRIPTION<br />

In transcribing the original sources, including the titles of books, I have<br />

resolved all contractions and abbreviations. In dealing with sixteenth-century<br />

French, I have followed the practice of French scholars in transcribing<br />

historical and literary texts, as follows:<br />

1 I and J, V and U, are distinguished in the modern way.<br />

2 Cedilla and apostrophe are supplied.<br />

3 Grave accents are supplied on apres, pres, des, es, ou (meaning<br />

'where'), ga, la and ja, and a (meaning 'at' or 'to').<br />

4 Acute accents are supplied on the final syllable, for example in the past<br />

participle of first-conjugation verbs.<br />

5 Capitals are supplied as modern usage requires them, e.g. all placenames,<br />

and surnames (family names) as well as Christian names<br />

(forenames).<br />

6 Original punctuation is kept unless positively misleading.<br />

The original spelling has been retained in all other respects, and words and<br />

letters omitted by mistake in the original have been supplied within the signs<br />

NOTE ON PROPER NAMES<br />

Any author who wrote in Latin in the sixteenth century might have at least<br />

three forms of his surname: the vernacular (itself often known in a variety of<br />

spellings and even of forms), a Latin one (formed either by adding a Latin<br />

termination or by translating the name into Latin), and a vernacular<br />

adaptation of the Latin. The authors of catalogues, being obliged to opt for<br />

one form, have in recent years chosen to standardise on the vernacular, and<br />

where this varies, on one particular form of it. I have tried to provide the<br />

vernacular form (when it is known) and the Latin form. But in the last resort I<br />

have chosen the name by which the author is best known to most readers.<br />

xv

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