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1 The Birth of Science - MSRI

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242 10. Lost <strong>Science</strong><br />

<strong>of</strong> most help, such as fine engravers and jewelers, 31 and the very rich. Nero<br />

and his famous emerald monocle may be a case in point. 32 Moreover the<br />

lack <strong>of</strong> literary references to magnifiers may to some extent derive from page 301<br />

the beliefs <strong>of</strong> modern scholars: a person convinced that something did not<br />

exist in Antiquity cannot but misunderstand any passage mentioning that<br />

thing. Thus, Alcaeus wrote that wine is a man’s dioptron. 33 He probably<br />

meant that drink as it were magnifies a person’s behavioral traits, putting<br />

them in evidence, 34 but the belief that lenses were unknown has caused<br />

dioptron to be translated as “mirror”, sacrificing both the general sense <strong>of</strong><br />

the passage and the natural meaning <strong>of</strong> the word, which on etymological<br />

grounds can be presumed to mean something that is seen through (whereas<br />

a mirror is katoptron). Strabo uses the same word to refer to chunks <strong>of</strong> a<br />

transparent mineral that were exported from a certain place in Asia Minor.<br />

36<br />

While the ancient use <strong>of</strong> lenses for lighting fires is certain and that <strong>of</strong><br />

magnifying glasses seems at least very probable, few have been willing to<br />

entertain the possible existence <strong>of</strong> telescopes in Antiquity. But, if nothing<br />

else, this hypothesis would explain the many written and pictorial medieval<br />

references to an object that supposedly would not be invented for<br />

several centuries yet! 37 As more direct evidence we may cite a passage in<br />

Strabo mentioning “reeds” or “tubes” by means <strong>of</strong> which images can be<br />

magnified thanks to the refraction <strong>of</strong> visual rays, 38 and perhaps also one in<br />

Geminus explaining that experts in geodesy, who used the dioptra, based<br />

some <strong>of</strong> their work on the phenomenon <strong>of</strong> refraction. 39<br />

31 Already in the eighteenth century the jewelry carver Johann Natter, based on his study <strong>of</strong> ancient<br />

techniques, became convinced that his ancient colleagues could not have carried out all <strong>of</strong><br />

their work with the naked eye; see [Natter]. <strong>The</strong> same opinion is held today by several scholars<br />

based on an analysis <strong>of</strong> gold craftmanship, particularly in the Roman period; see [Sines, Sakellarakis].<br />

32 Pliny, Naturalis historia, XXXVII, 64. This continues a passage where Pliny mentions that engravers<br />

used emeralds to lessen eye-strain and provide bigger images; but Pliny believed that the<br />

engravers rested their eyes by contemplating the emeralds and that the enlarged images were those<br />

<strong>of</strong> the emeralds themselves.<br />

33 (Alcaeus, fr. 333 Vogt).<br />

34 I am indebted to Bruno Gentili for this observation.<br />

36 Strabo, Geography, XII, ii, 10.<br />

37 See page 306.<br />

38 Strabo, Geography, III, i, 5. Many editors have adopted Voss’s emendation <strong>of</strong> (reeds) into<br />

(glass pieces), thus admitting the existence <strong>of</strong> magnifying glasses but perhaps missing the<br />

full import <strong>of</strong> the passage.<br />

39 [Heron: OO], IV, 100, 17–18. <strong>The</strong> Greek term used, ©, is usually rendered as “reflection”,<br />

but there are several passages where “refraction” must be meant: for example, Sextus Empiricus,<br />

Adversus mathematicos, V, 82. <strong>The</strong> word is derived from a verb meaning “break” and was<br />

presumably used for either phenomenon where light rays are “broken” (change direction).<br />

Revision: 1.11 Date: 2003/01/06 02:20:46

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