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1 The Birth of Science - MSRI

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11.2 <strong>The</strong> Renaissance 295<br />

worthy geographical and nautical maps (as shown by the Catalan Map <strong>of</strong><br />

1375). <strong>The</strong> Portuguese prince Henry the Mariner (1394–1460) was one <strong>of</strong><br />

the first to support the use <strong>of</strong> astronomical methods for high seas navigation.<br />

11.2 <strong>The</strong> Renaissance<br />

Starting in the mid fourteenth century, a flow <strong>of</strong> Greek documents coming<br />

from Constantinople made its way to Italy and from there to the rest <strong>of</strong><br />

Europe, triggering what we now know simply as <strong>The</strong> Renaissance. <strong>The</strong><br />

flow increased in the early fifteenth century. Two hundred thirty-eight<br />

manuscripts, for example, were brought back by Giovanni Aurispa from<br />

his voyage <strong>of</strong> 1423. 25<br />

Renaissance intellectuals were not in a position to understand Hellenistic<br />

scientific theories, but, like bright children whose lively curiosity is set<br />

astir by a first visit to the library, they found in the manuscripts many<br />

captivating topics, especially those that came with illustrations: anatomical<br />

dissections, perspective, gears, pneumatic paraphernalia, large bronze<br />

casts, war machines, hydraulic devices, automata, “subjective” portraits,<br />

musical instruments.<br />

<strong>The</strong> most famous intellectual attracted by all these “novelties” was Leonardo<br />

da Vinci, who not only took an interest in all the things just listed, page 365<br />

but even ventured — unsuccessfully, alas — to master Archimedes’ works.<br />

He fared much better when he tried to put in practice some <strong>of</strong> the ideas<br />

contained in ancient works, especially when he could use his extraordinary<br />

gifts <strong>of</strong> observation and depiction: for instance, in trying to recover<br />

anatomy through the dissection <strong>of</strong> corpses and in making observations in<br />

hydraulics.<br />

For a while now Leonardo da Vinci has no longer appeared as a lone<br />

genius, but as the most important representative <strong>of</strong> a milieu where for<br />

many decades the same subjects had been pursued, the same books had<br />

been prized and similar drawings had been made. 26 Many <strong>of</strong> Leonardo’s<br />

favorite technological subjects had earlier occupied, in the first half <strong>of</strong> fifteenth<br />

century, the Sienese Mariano Taccola, who was particularly keen<br />

on Philo <strong>of</strong> Byzantium’s works on pneumatics and military engineering.<br />

25 Aurispa, above and beyond being a humanist, was one <strong>of</strong> the many merchants who devoted<br />

themselves to the pr<strong>of</strong>itable traffic <strong>of</strong> manuscripts from Constantinople to Italy in the early fifteenth<br />

century. We may be sure that a part <strong>of</strong> the books that reached Italy at that time was lost after a few<br />

generations. Incidentally, the ideas that sprouted in those years among Italian artists included perspective<br />

and the possibility <strong>of</strong> building larger domes by making their section parabolic (or nearly<br />

so) rather than semicircular.<br />

26 This reappraisal started with [Gille: IR].<br />

Revision: 1.11 Date: 2003/01/06 07:48:20

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