Lindsay Rudge PhD Thesis - University of St Andrews
Lindsay Rudge PhD Thesis - University of St Andrews
Lindsay Rudge PhD Thesis - University of St Andrews
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form <strong>of</strong> monastic life for women and for the christianisation <strong>of</strong> his city, Caesaria was<br />
equally active in designing a way <strong>of</strong> life to suit her own needs.<br />
When considering the possible sources for Caesaria’s life, the hints from which an<br />
idea <strong>of</strong> her activities and importance could be gleaned, the passage above suggests a<br />
conundrum. Caesarius’ vita was written by five clerics <strong>of</strong> his acquaintance. The first<br />
book, from which this extract is taken, was chiefly the work <strong>of</strong> Cyprianus, bishop <strong>of</strong><br />
Toulon (c.517-c.545), assisted by Firminus <strong>of</strong> Uzès (c.534-c.552) and Viventius, <strong>of</strong> an<br />
uncertain see. However, the composition <strong>of</strong> the vita was initiated by the monastery <strong>of</strong> <strong>St</strong><br />
John, under the leadership <strong>of</strong> Caesaria II, and this background coloured the work<br />
throughout. 101 As the Prologue puts it, ‘You, Caesaria, whom we honour as a virgin,<br />
together with the choir <strong>of</strong> fellow nuns entrusted to you, have been asking that we fulfill<br />
our obligation to recall and to write an account from the very beginning <strong>of</strong> the life and<br />
way <strong>of</strong> life <strong>of</strong> your founder, saint Caesarius <strong>of</strong> blessed memory... this work can stand in<br />
place <strong>of</strong> his presence for your – and even more his – monastery.’ 102 To a large degree, the<br />
work was written to accord with the nuns’ perspective and to serve their needs. The<br />
community’s view <strong>of</strong> the first Caesaria is, therefore, likely to be well reflected by the<br />
vita, and the association <strong>of</strong> Caesaria in the early stages <strong>of</strong> development <strong>of</strong> the monastery,<br />
evoked by the preceding extract, must be what the nuns remembered. And yet, the vita is<br />
about Caesarius; formally, he is celebrated as the founder <strong>of</strong> the monastery; Caesaria is a<br />
supporting player, who appears and disappears as the trajectory <strong>of</strong> Caesarius’ story<br />
demands. The existence <strong>of</strong> a seventeenth-century vita <strong>of</strong> Caesaria merely perpetuates her<br />
liminality; as will be seen below, it is largely derived from the vita Caesarii. 103 The needs<br />
<strong>of</strong> the community suggest why Caesaria has no story – no history – <strong>of</strong> her own.<br />
Immediately after Caesarius’ death, they were faced with the problem <strong>of</strong> losing their<br />
main source <strong>of</strong> financial support. Caesarius had cut himself <strong>of</strong>f from his family when he<br />
moved to Lérins; the only resources he himself possessed were those <strong>of</strong> his see. His<br />
concerns for the future <strong>of</strong> the monastery are attested to by his correspondence with pope<br />
101 See in particular Klingshirn, ‘Caesarius’ monastery for women’.<br />
102 V.Caes 1.1, tr. Klingshirn Life, Testament, Letters 9.<br />
103 Soixante homélies de Saint Caesaire, archevêque d'Arles, traduites en françois, suivies de la Vie de<br />
sainte Cesarée et de celle de sainte Rusticule, abbesses du monastère fondé par ce <strong>St</strong>. archevêque.<br />
Published in Arles by François Mesnier, 1648.<br />
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