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Lindsay Rudge PhD Thesis - University of St Andrews

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Caesaria’s experience can also be detected in Caesarius’ discussion <strong>of</strong> the<br />

separation <strong>of</strong> work and prayer. The monastery at Marseille was governed by a simple<br />

injunction against talking or working during prayer, repeated by Caesarius, ‘while the<br />

psalms are being chanted, it is not permissible to do any talking or to work’. 188 It may be<br />

that the sort <strong>of</strong> ‘work’ nuns might have done - embroidery, mending, and so on - was<br />

sometimes performed during prayer. For Caesarius, such tasks would constitute a<br />

disruption to the nuns’ main task <strong>of</strong> intercession. It is in the requirement for a daily<br />

period <strong>of</strong> woolworking, however, that Caesaria’s previous life experience can be seen.<br />

Such activity was most useful to a group <strong>of</strong> women who were expected to make their own<br />

clothes. 189 It also reflected the most praised occupation <strong>of</strong> the Roman matron; here the<br />

nuns’ gender brought with it stereotypes <strong>of</strong> activity that survived the formation <strong>of</strong> a new<br />

religious environment. 190 This is one instance <strong>of</strong> an activity which Caesaria and her<br />

companions had always undertaken in whatever form their existing community had<br />

taken; here Caesarius constructed his written text around his sister’s life, and not the<br />

other way round. Overall, Caesaria’s experiences and needs shaped both the physical<br />

construction <strong>of</strong> the monastery <strong>of</strong> <strong>St</strong> John and the writing <strong>of</strong> the rule for the community <strong>of</strong><br />

nuns that grew within it. The importance that near-contemporary sources attributed to her<br />

serves only to underline further the collaboration between brother and sister in the<br />

foundation <strong>of</strong> <strong>St</strong> John. This process <strong>of</strong> co-production would be furthered and<br />

strengthened by Caesaria II, whose career is examined next.<br />

Early adaptations: the Recapitulatio<br />

As noted previously, Doms de Vogüé and Courreau have suggested that the<br />

Regula virginum was composed in stages over an extended period <strong>of</strong> time, a process<br />

188 RV 10.<br />

189 RV 16.<br />

190 One early example <strong>of</strong> praise for Roman women who stayed at home weaving is the funeral eulogy for a<br />

certain ‘Furia’, dating to the first century BC: ‘Why should I mention your domestic virtues: your loyalty,<br />

obedience, affability, reasonableness, industry in working in wool, religion without superstition, sobriety <strong>of</strong><br />

attire, modesty <strong>of</strong> appearance?’ Cited in E. Amt (ed.) Women’s Lives in Medieval Europe (New York,<br />

1993), at 29.<br />

67

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