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Lenses and Waves

Lenses and Waves

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Chapter 4<br />

The 'Projet' of 1672<br />

The puzzle of strange refraction <strong>and</strong> causes in geometrical optics<br />

Huygens was in Paris in the autumn of 1672. He was still a leading scholar,<br />

but some clouds had begun to appear in the sky. The discussions at the<br />

‘Académie’ sometimes distressed him, in particular the interventions of<br />

Roberval. 1 His status was challenged by aspiring newcomers. The previous<br />

chapter described how Newton with his new theory thwarted his plans to<br />

design a perfect telescope. And the successful entrée on the Parisian scene of<br />

Cassini put serious pressure on his position as 'primes' under Louis' savants.<br />

Cassini had arrived from Rome in 1669 <strong>and</strong> almost immediately had started<br />

to adorn his patron with a series of astronomical observations, where<br />

Huygens could set little against. 2<br />

With all that, sickness had begun to plague him. In February 1670 he had<br />

fallen ill <strong>and</strong> he went home to the ‘air natale’ of The Hague in September.<br />

June 1671 Huygens returned to Paris to resume his activities, but in<br />

December 1675 he would relapse into his ‘maladie’. Whether these illnesses<br />

were caused by his ‘professional’ troubles is hard to tell. Huygens biographer<br />

Cees Andriesse holds this view, developing a Freudian reading of Huygens’<br />

personality, in which Christiaan identifies with his intellectual achievements<br />

to make up for the early loss of his mother. 3 Still, going through his Paris<br />

letters to his brother Constantijn gives the impression that Christiaan was<br />

bothered by a good share of homesickness. And maybe the Paris<br />

environment just was not that good for Huygens’ constitution. Whether or<br />

not his failing health was related, it is certain that the move from the<br />

confines of his parental home to the competitive milieu of Paris had put his<br />

science under pressure in the early 1670s. Huygens did not st<strong>and</strong> by idly,<br />

however. In 1672, he was in the middle of preparing the description <strong>and</strong><br />

explanation of his pendulum clock for publication. Horologium Oscillatorium,<br />

his masterpiece, appeared in 1673 dedicated to his patron Louis. And<br />

whoever might think that Huygens had given up on his dioptrics because of<br />

Newton's interference, was dead wrong.<br />

Huygens had discarded the results of his analysis of spherical aberration<br />

in October 1672. Around the same time, he drew up a plan for a publication<br />

1<br />

Gabbey, “Huygens <strong>and</strong> mechanics”, 174-175; Andriesse, Titan, 235-243.<br />

2<br />

Van Helden, “Constrasting careers”, 97-101.<br />

3<br />

Andriesse, Titan, 244-247 <strong>and</strong> “The melancholic genius”, 8-11. I have discussed Andriesse’s account in<br />

Dutch in Dijksterhuis, “Titan en Christiaan”.

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