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Lenses and Waves

Lenses and Waves

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194 CHAPTER 5<br />

Things became even more problematic when Hooke turned to the colors<br />

produced by thin films. 100 On the basis of several experiments, he came to<br />

the conclusion that the various colors depended upon the thickness of the<br />

film. 101 In his view, part of the incident light is reflected at the upper surface<br />

of the film, part at the lower surface. Consequently, two pulses following<br />

shortly upon each other are produced of which the second, having traveled a<br />

longer distance, is weaker. The amount of retardation depends upon the<br />

thickness of the layer, thus explaining the variety of colors. In this way,<br />

Hooke had formulated two different, even inconsistent theories of color.<br />

This did not keep him from a generalization:<br />

“That Blue is an impression on the Retina of an oblique <strong>and</strong> confus’d pulse of light,<br />

whose weakest part precedes, <strong>and</strong> whose strongest follows. And, that Red is an<br />

impression on the Retina of an oblique <strong>and</strong> confus’d pulse of light, whose strongest<br />

part precedes, <strong>and</strong> whose weakest follows.” 102<br />

This explanation ought to encompass both the oblique pulse (with the acute<br />

end being the weakest) <strong>and</strong> the retarded pulse (with the pulse reflected at the<br />

lower surface of the film being the weakest). It is, however, stated in most<br />

general terms <strong>and</strong> Hooke did not explicitly consider the question whether his<br />

two mechanisms explaining colors could be made consistent. The<br />

formulation rules out any possibility of mathematization the two individual<br />

theories may have had. Several other inconsistencies <strong>and</strong> obscurities in<br />

Hooke’s theory can be pointed out. 103<br />

Huygens’ verdict was merciless. The annotations in his copy of<br />

Micrographia make it clear that he did not think much of Hooke. “This must<br />

not be presumed but ought to be demonstrated, …” Huygens wrote in the<br />

margin of the page where Hooke introduced the sine law. 104 He was quick to<br />

point out the sloppiness of Hooke’s reasoning, in particular his use of<br />

‘pulses’ <strong>and</strong> ‘rays’. 105 In Traité de la Lumière, he mentioned Hooke without<br />

comment, but elsewhere he made no secret of his dissatisfaction. In optics<br />

Hooke had only made ‘shameful blunders’, he wrote to Leibniz in 1694. 106<br />

If Micrographia did not come up to the st<strong>and</strong>ards of Traité de la Lumière,<br />

these were not, after all, Hooke’s st<strong>and</strong>ards. His goal was not to elaborate a<br />

mathematical, but an experimental theory of colors derived from <strong>and</strong><br />

founded on exhaustive empirical evidence. He accepted the sine law as an<br />

empirically founded truth that needed no further mathematical or other<br />

100<br />

Hooke, Micrographia, 65-67.<br />

101<br />

Hooke, Micrographia, 50.<br />

102<br />

Hooke, Micrographia, 64.<br />

103<br />

In his subsequent analyses of refracted pulses, of the refraction of a beam (by a drop of water), his<br />

interpretation of ‘ray’ <strong>and</strong> ‘pulse’ continuously changed, switching without notice from a microscopic<br />

point of view to a macroscopic <strong>and</strong> back. Huygens noted several gaps, <strong>and</strong> some vagueness as well: Barth,<br />

“Huygens at work”, 612-613. See also: Shapiro, “Kinematic optics”, 198-199.<br />

104<br />

Barth, “Huygens at work”, 612.<br />

105<br />

Barth, “Huygens at work”, 612 (in particular 57 II & III).<br />

106<br />

OC10, 612. “… bevues honteuses …”

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