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The beginnings and development of a New Zealand music: The life ...

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96<br />

<strong>The</strong>re was not, as far as I could hear, one<br />

single bar <strong>of</strong> genuine <strong>music</strong>al inspiration,<br />

or the slightest sign <strong>of</strong> creative ability<br />

in this composition - which prompts two<br />

questions: has Mr Lilburn tried O.l1ce again<br />

to pull the public's leg (or ear)? Or is he,<br />

perhaps inadvertently, merely guilty <strong>of</strong> mild<br />

<strong>music</strong>al misdemeanour? If the latter suggestion<br />

be correct, then <strong>of</strong> course Mr Page must be<br />

cited as accessory to the act."S3<br />

Such 'critical' writings would have been humorous had it not been<br />

for the danger <strong>of</strong>-the uninformed public taking them seriously.<br />

Fortunately, for everyone <strong>of</strong> Austin's attacks, there were always several<br />

supporters ready to defend Lilburn's <strong>music</strong>, placing Austin's extremist<br />

views in a proper perspective. <strong>The</strong> letter to the <strong>New</strong> Zeal<strong>and</strong> Listener,<br />

quoted immediately above, was replied to three weeks later in the same<br />

column: 54<br />

"Sir - L.D. Austin's letter was in thoroughly<br />

bad taste. It is a pity the writer cannot<br />

forget past conflicts <strong>and</strong> give the composer<br />

his dues. Nearly all <strong>of</strong> us at some time have<br />

envied those who could do so much better than<br />

ourselves with so little effort ,but it is<br />

a poor man who loses his temper <strong>and</strong> sense <strong>of</strong><br />

values in the same breath. Recently~ when a<br />

visiting artist played a trifle by Mr Austin,<br />

perhaps Mr Lilburn was unimpressed? I was,<br />

but kept my opinion to myself!<br />

A. Wills (<strong>New</strong> Plymouth) -,"<br />

"Sir - Is it your editorial policy to print<br />

such letters as L.D. Austin's recent letter on<br />

Lilburn's sonata? <strong>The</strong> critical comments are,<br />

<strong>of</strong> course, foolish <strong>and</strong> worthless, constituting<br />

merely an attack on a fine <strong>and</strong> sensitive<br />

<strong>music</strong>ian, <strong>and</strong> an implied slur on another.<br />

Should writers <strong>of</strong> letters such as the one<br />

referred to be allowed to display their lack<br />

<strong>of</strong> taste in the columns <strong>of</strong> a high-class weekly?<br />

As you so aptly remark in your editorial <strong>of</strong> the<br />

same issue, criticism ••• 'should be able to<br />

point the way to higher st<strong>and</strong>ards' •<br />

E.D. McKenzie (Wellington)."55<br />

One <strong>of</strong> Lilburn's greatest preoccupations throughout the 1940s,<br />

as is seen in the typescript <strong>of</strong> his address to the -first Cambridge SUmmer<br />

53 <strong>New</strong> Zeal<strong>and</strong> Listener vol. 2 1 no.S25, 15 July 1949:5,<br />

54 <strong>New</strong> Zeal<strong>and</strong> Listener vol. 2 1 no,52a, 5 August 1949:5, Two other,<br />

longer letters <strong>of</strong> protest about Austin's letter, one by Alastair<br />

Campbell, <strong>and</strong> one signed 'Angry Student (Wellington)' had also been<br />

printed (the preceding week) in the same column,<br />

55 <strong>New</strong> Zeal<strong>and</strong> Listener ibid.

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