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The beginnings and development of a New Zealand music: The life ...

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73<br />

for violin <strong>and</strong> piano, the Sonata in C.<br />

Clare showed interest in<br />

performing the work, <strong>and</strong> gave it its first hearing at a concert in the<br />

Radiant Hall on 18 December 1943, with Noel <strong>New</strong>son at the piano.·<br />

Frederick Page reviewed the concert for <strong>The</strong> Press, writing:<br />

"<strong>The</strong> work has four movements; immediate<br />

impressions were <strong>of</strong> a particularly lovely<br />

opening phrase, a good-humoured scherzo<br />

(scherzi are apt to be wry-faced these days),<br />

a searching <strong>and</strong>ante with a well-managed coda,<br />

<strong>and</strong> <strong>of</strong> a skilful piece <strong>of</strong> uniting for the<br />

last. Mr Lilburn has set his players some<br />

hair-raising things to do in his final<br />

movement. <strong>The</strong> first movement is quite one<br />

<strong>of</strong> the most beautiful movements Mr Lilburn<br />

has yet given us. Mr <strong>New</strong>son's playing was<br />

marked by clarity <strong>and</strong> sympathy."39<br />

This sonata was later given a performance by Clare with Frederick Page<br />

at the piano in the first season <strong>of</strong> concerts organised by the Wellington<br />

Chamber Music Society in 1945.<br />

In 1943, the Otago University College announced the establishment<br />

<strong>of</strong> a composition competition called the Philip Neill Memorial Prize. 40<br />

This prize was to be awarded annually, <strong>and</strong> was open for competition to<br />

all past <strong>and</strong> present students <strong>of</strong> the <strong>New</strong> Zeal<strong>and</strong> University Colleges<br />

with the proviso that no winner <strong>of</strong> the prize in any year would be<br />

eligible to compete again until five years elapsed.<br />

Each year, the<br />

examiners for the award 41 would prescribe the outline <strong>of</strong> the type <strong>of</strong><br />

piece the award was to be <strong>of</strong>fered for.<br />

In its first year, 1944, the<br />

prize was to be <strong>of</strong>fered for a Prelude (or Fantasia) <strong>and</strong> Fugue for either<br />

42<br />

piano or organ.<br />

Lilburn, putting his underst<strong>and</strong>ing <strong>of</strong> the fugue to the test,<br />

decided to enter. Interestingly, for one who had spent many years<br />

39 <strong>The</strong> Press 20 December 1943:3.<br />

40 <strong>The</strong> Philip Neill Memorial Prize for excellence in Original Composition<br />

was founded in memory <strong>of</strong> Philip Foster Neill by his sister, who, in<br />

1943 settled the sum <strong>of</strong> £1,000 with the Trustees, Executors <strong>and</strong><br />

Agency Co. Ltd, with the instructions to pay the annual income to<br />

the Otago University College Council. Philip Neill was a medical<br />

student at Otago University College, who died in the infantile<br />

paralysis outbreak in 1943. (Otago University College Calendar 1946:<br />

148-9.) For further details <strong>of</strong> the prize, see Appepdix All.<br />

41 As defined in the rules governing the prize, the examiners are the<br />

Blair Pr<strong>of</strong>essor <strong>of</strong> Music at the University <strong>of</strong> Otago <strong>and</strong> one other<br />

person appointed by the University Council. (ibid.)

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