26.12.2013 Views

The beginnings and development of a New Zealand music: The life ...

The beginnings and development of a New Zealand music: The life ...

The beginnings and development of a New Zealand music: The life ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

12 I<br />

yield strange <strong>and</strong> evocative noises when attacked<br />

in various way."3<br />

Thus, Lilburn's first meeting with "the zombie On the horizon" resulted<br />

in the incidental sound montage for <strong>The</strong> Axe in 1961.<br />

1961 was also the year in which Symphony No.3 was completed. 4<br />

This work, generally considered the pinnacle <strong>of</strong> orchestral composition in<br />

<strong>New</strong> Zeal<strong>and</strong>, st<strong>and</strong>s at the crossroads <strong>of</strong> Lilburn's compositional career.<br />

It was sketched <strong>and</strong> planned over a period <strong>of</strong> time that saw many influences,<br />

both old <strong>and</strong> new, exerting themselves on Lilburn.<br />

On one h<strong>and</strong> there was<br />

the experimentation with electronic <strong>music</strong> for <strong>The</strong> Axe, whilst on the<br />

other there was the revival <strong>of</strong> his earlier orchestral works, giving him<br />

the opportunity he had never really had <strong>of</strong> fully appraising their<br />

strengths <strong>and</strong>-weaknesses.<br />

He was still assimilating the serial<br />

procedures discovered on his overseas leave <strong>of</strong> I955~6,<br />

recently been introduced to the sounds <strong>of</strong> Darmstadt.<br />

<strong>and</strong> had just<br />

In the midst <strong>of</strong> all<br />

these influences, he retained for Symphony No.3 the image <strong>of</strong> a scene from<br />

his house at Paekakariki: " ••• he spoke cautiously <strong>of</strong> the l<strong>and</strong> <strong>and</strong> sea<br />

at Pukerua Bay a little north <strong>of</strong> Wellington". 5<br />

Symphony No.3 was first performed by the National<br />

Orchestra, conducted by John Hopkins, at the Wellington Town Hall on 31<br />

July 1962.<br />

<strong>The</strong> work was recorded for release on the Kiwi label 6 on the<br />

3rd <strong>and</strong> 4th <strong>of</strong> September 1962, by Hopkins <strong>and</strong> the National<br />

Orchestra. Five performances quickly followed: on 6 April 1963 in<br />

Christchurch; on 9 April <strong>of</strong> that year in Dunedin; on 29 May in<br />

7<br />

Auckl<strong>and</strong>; <strong>and</strong> twice in Wellington, on 17 July <strong>and</strong> 8 August. For the<br />

first time in <strong>New</strong> Zeal<strong>and</strong>'s history, a new, indigenous composition was<br />

being given a hearing in all the main centres <strong>of</strong> the country.<br />

<strong>The</strong> work was enthusiastically received by reviewers who, as with<br />

the reviewers <strong>of</strong> the performances <strong>of</strong> Lilburn's first two symphonies,<br />

. were in accord that Symphony No.3 was a l<strong>and</strong>mark composition for <strong>New</strong><br />

3 ibid.<br />

4 <strong>The</strong> full score was drafted by March ]961.<br />

5 Gordon Burt, Composers in CANZ - A Survey <strong>of</strong> <strong>New</strong> Zeal<strong>and</strong><br />

composers. RNZ. op.cit. Unpublished typescript, programme<br />

1, p.6.<br />

6 SLD-14.<br />

7 From the <strong>New</strong> Zeal<strong>and</strong> Symphony Orchestra files <strong>of</strong> records <strong>of</strong><br />

performances.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!