26.12.2013 Views

The beginnings and development of a New Zealand music: The life ...

The beginnings and development of a New Zealand music: The life ...

The beginnings and development of a New Zealand music: The life ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

players from the National Orchestra 66 at a concert organised<br />

in Wellington by the <strong>New</strong> Zeal<strong>and</strong> Section <strong>of</strong> the International Society<br />

for Contemporary Music.<br />

bassoon, the three-movement work presents:<br />

Scored for flute, oboe, clarinet,horn <strong>and</strong><br />

" ••• patterns <strong>of</strong> sound derived from opening<br />

phrases, each player giving an individual view<br />

<strong>of</strong> the same few notes. It was given impetus by<br />

Lilburn viewing a Gauguin Tahitian painting <strong>of</strong><br />

a coastline scene, which included a tangle <strong>of</strong><br />

driftwood suggesting <strong>music</strong>al patterns."67<br />

<strong>The</strong> work shows evidence <strong>of</strong> Lilburn's continued interest in the <strong>music</strong> <strong>of</strong><br />

the serialist composers.<br />

Quartet for Brass Instruments remained unperformed for 23 years<br />

until Thursday 18 September 1980, when it was featured in a lunchtime<br />

concert organised by the Victoria University <strong>of</strong> Welling-ton Music<br />

Department.<br />

68<br />

<strong>The</strong> programme to that concert contained the following note<br />

about the work:<br />

"This work was one <strong>of</strong> several written in the<br />

late fifties, marking a change in style that<br />

culminated in the Third Symphony - concerned<br />

with counterpoint <strong>of</strong> an increasing austerity.<br />

It is based on a chorale theme which is fully<br />

set out only in the last movement. This theme<br />

is heralded in the opening prelude <strong>and</strong> is the<br />

understructure <strong>of</strong> later movements. <strong>The</strong> work<br />

is in five movements, making an arch form,<br />

with an exuberant allegro at the centre.<br />

This quartet is now receiving its first<br />

performance from students <strong>of</strong> the Music<br />

Department. At the time <strong>of</strong> composition it was<br />

rejected out <strong>of</strong> h<strong>and</strong> by pr<strong>of</strong>essional players<br />

<strong>of</strong> the old Symphony Orchestra."69<br />

I 15<br />

In 1958, Lilburn wrote more <strong>music</strong> for strings <strong>and</strong> narrator along<br />

the lines <strong>of</strong> the Cornet Rilke <strong>of</strong> 1950.<br />

premiered the work -<br />

Again, it was Maria Dronke who<br />

entitled Three Poems <strong>of</strong> the Sea <strong>and</strong> comprising the<br />

poems Sir Patrick Spens, Come unto these yellow s<strong>and</strong>s, <strong>and</strong> <strong>The</strong> Changeling<br />

(this last poem by Allen Curnow).<br />

This work was first presented in a concert by the Alex Lindsay<br />

66 <strong>The</strong> players were James Hopkinson flute, Norman Booth oboe, Frank Gurr<br />

clarinet, Peter Glen horn <strong>and</strong> Peter Musson bassoon.<br />

67 Announcer's introduction to an undated broadcast <strong>of</strong> Wind Quintet on<br />

Radio <strong>New</strong> Zeal<strong>and</strong>. Unpublished typescript, photocopy with author.<br />

68 <strong>The</strong> performers in this premiere were Mary Robbie <strong>and</strong> David Armstrong<br />

trumpets, David Cox horn, David Woodbridge trombone.<br />

69 Programme to concert.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!