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The beginnings and development of a New Zealand music: The life ...

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70<br />

<strong>The</strong> opening two lines <strong>of</strong> the poem seem to speak also for the young<br />

artists in the country at that time in their quest for a cultural<br />

identit'y apart from the British Motherl<strong>and</strong>:<br />

Simply by sailing in a new direction<br />

You could enlarge the world."28<br />

Significantly, <strong>New</strong> Zeal<strong>and</strong>'s major literary periodical, established in<br />

1947, took as its name L<strong>and</strong>fall.<br />

Before the actual day commemorating Tasman's discovery, Lilburn<br />

had read Curnow's poem, <strong>and</strong> was sufficiently impressed by it to compose<br />

a complementing score. <strong>The</strong> completed work, for narrator <strong>and</strong> strings,<br />

was premiered in a broadcast performance from 2YA on 13 December 1942 29<br />

by the National Broadcasting Service String Orchestra.<br />

<strong>The</strong> performance<br />

was conducted by Anderson Tyrer, who, incidentally, by this stage had<br />

been appointed as resident conductor <strong>of</strong> the orchestra.<br />

Lilburn;<br />

<strong>The</strong> weekend <strong>of</strong> 12-13 December 1942 was an exciting one for<br />

a weekend during which three <strong>of</strong> his works were performed, each<br />

on a separate occasion.<br />

On the Friday evening, the 3YA studio orchestra,<br />

conducted by Frederick Page, gave a broadcast performance <strong>of</strong> Allegro<br />

for strings. On the Saturday evening, Noel <strong>New</strong>son gave the premiere<br />

performance <strong>of</strong> !}ve Bagatelles for piano during a concert presented by<br />

the Royal Christchurch Musical Society, <strong>and</strong> on the Sunday evening, the<br />

above-mentioned premiere broadcast <strong>of</strong> L<strong>and</strong>fall in Unknown Seas was given. 30<br />

About the time <strong>of</strong> this hat-trick <strong>of</strong> perfor.:tances, Lilburn began<br />

work on his first sonata for a solo instrument, other than the piano.<br />

This was Sonata ~n<br />

E-Hat for violin <strong>and</strong> piano, completed on 12 February<br />

1943. 31 Sonata in E-flat was given its first performance on Saturday<br />

3 April 1943 in the Charles Begg Conc.ert Hall, Christchurch, with Vivien<br />

Dixon on the violin accompanied by Althea Harley Slack on the piano.<br />

was given a further performance on Thursday 1 July <strong>of</strong> that year in the<br />

Canterbury University College Hall as part <strong>of</strong> the Col~ege's<br />

concert programme.<br />

lunchtime<br />

It<br />

28 ibid stanza II.<br />

29 13 December was the anniversary day <strong>of</strong> Tasman's discovery <strong>of</strong> <strong>New</strong><br />

Zeal<strong>and</strong>.<br />

30 F.J.P., Royal Musical Society third concert <strong>of</strong> season. <strong>The</strong> Press<br />

14 December 1942.<br />

31 As dated in the manuscript score.

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