The beginnings and development of a New Zealand music: The life ...

Ex.20b: Symphony No.1 movement II, flutes bars 87-9.
Ur r t f @ , di z l 1
Once again, this linking flute phrase heralds the end of a section.
The first eleven bars of section B2 show Lilburn .toying with
various characteristic figures from theme 2 in the woodwind against a
string background of the theme's original accompanying figure. Here
One can see evidence of motivic development. The flute phrase of bars
98-101, for example, is obviously drawn from the first three bars of
theme 2:
Ex.2Ia: Symphony No.1 movement II, flute bars 98~101.
Ex.21b: Symphony No.1 movement II, clarinet (as sounding) bars 28-30.
The oboe phrase of bars 96-9, to give a further example, melds the
characteristic embellishing figure of the beginning of theme 2 with the
characteristic rhythm of the new guise of the opening accompanying
figure from section AI:
Ex.22: Symphony No.1 movement II, oboe bars 96-9.
t