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The beginnings and development of a New Zealand music: The life ...

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56<br />

featuring entertainment from a wide variety <strong>of</strong> <strong>New</strong> Zeal<strong>and</strong>ers domiciled<br />

in Engl<strong>and</strong>. Organised <strong>and</strong> directed by Shayle Gardiner, this concert -<br />

a matinee - was to devote its proceeds to " ••• the Provision <strong>of</strong> Comforts<br />

for <strong>New</strong> Zeal<strong>and</strong>ers in His Majesty's Forces". 16 This <strong>New</strong> Zeal<strong>and</strong> Centenary<br />

Matinee was scheduled for April <strong>of</strong> 1940 <strong>and</strong> was to include an appearance<br />

by the Sadler's Wells Orchestra conducted by expatriate <strong>New</strong> Zeal<strong>and</strong>er<br />

Warwick Braithwaite.<br />

Lilburn, with a thought to contributing an item for the programme,<br />

wrote to Braithwaite <strong>of</strong>fering to write a work especially for the concert.<br />

Braithwaite's reply to Lilburn was direct <strong>and</strong> to the point, a letter that<br />

clearly illustrates the problems facing a young composer at that time:<br />

"Mar 5th '40<br />

Dear Mr Lilburn<br />

23 Linden Lea<br />

N.2.<br />

(I hope that's your name as I found great difficulty<br />

in making anything <strong>of</strong> your signature <strong>and</strong> the above is, even<br />

so, only a wild guess.)<br />

You have made a proposition very difficult to answer<br />

as I know nothing <strong>of</strong> your work. Could you possibly guarantee<br />

that the overture would be suitable, or even a success or<br />

even playable?<br />

At a concert <strong>of</strong> this sort each item must be 100%<br />

direct appeal in whatever category it may be <strong>and</strong> the only<br />

way I can be sure <strong>of</strong> this is by being sure that the item<br />

is either well known or bound to make an appeal. In your<br />

case your work is entirely unknown tome <strong>and</strong> although I<br />

must remedy that state <strong>of</strong> affairs for my own sake, I<br />

cannot promise to avail myself <strong>of</strong> your kind suggestion.<br />

In the case <strong>of</strong> an unwritten work - I could or should only<br />

risk such a promise from a tried composer whose work is<br />

known.<br />

Don't be discouraged by these foregoing remarks<br />

but bring some <strong>of</strong> your orchestral work to me so that I<br />

may judge for myself.<br />

I am at Sadlers Wells on Sat. afternoon conducting the<br />

'Barber <strong>of</strong> Seville'. Come to the performance & to my<br />

room afterwards.<br />

Best wishes,<br />

Yours sincerely<br />

WarWLC . k BraLt . h wa1te. . ,,17<br />

At the Saturday meeting, the conductor was sufficiently impressed<br />

with Lilburn's work to agree in principle to the idea <strong>of</strong> a composition<br />

16 <strong>New</strong> Zeal<strong>and</strong> Centenary Matinee, programme to concert. Copy with<br />

author.<br />

17 Letter housed at Alex<strong>and</strong>er Turnbull Library.

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