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The beginnings and development of a New Zealand music: The life ...

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63<br />

4<br />

1941-1945<br />

WELLINGTON TO ~HRISTCHURCH<br />

Early in 1941, Maurice Clare, the Leader <strong>and</strong> Conductor <strong>of</strong> the<br />

National Broadcasting Service String Orchestra, announced his retirement.<br />

<strong>The</strong> National Broadcasting Service decided that rather than appoint a fulltime<br />

conductor to replace Clare it would appoint 'guest conductors', each<br />

for a trial period <strong>of</strong> two months, with a view to making the position<br />

permanent should a suitable c<strong>and</strong>idate be found.<br />

Leon de Mauny, already resident in Wellington, was appointed the<br />

first <strong>of</strong> these conductors. At the suggestion <strong>of</strong> Maurice Clare,1 Douglas<br />

Lilburn was approached <strong>and</strong> <strong>of</strong>fered the position for the months <strong>of</strong> June<br />

<strong>and</strong> July, 1941.<br />

Taihape farm followed.<br />

Lilburn accepted, <strong>and</strong> a shift to Wellington from the<br />

Lilburn gave his first concert as Conductor <strong>of</strong> the National<br />

Broadcasting Service String Orchestra in a studio broadcast on 12 June<br />

1941. His contract was later extended for a further month into August.<br />

At the end <strong>of</strong> August, Lilburn's tenure was suddenly terminated,<br />

without <strong>of</strong>ficial reason being given.<br />

Possibly the reason for his contract<br />

not being renewed was linked with his refusal to perform a particular<br />

work that he considered had no <strong>music</strong>al merit. 2 Lilburn was succeeded in<br />

the post by Anderson Tyrer, the Musical Director <strong>of</strong> the <strong>New</strong> Zeal<strong>and</strong><br />

Centennial Celebrations <strong>and</strong> Conductor <strong>of</strong> the National Centennial Orchestra.<br />

During his appointment with the orchestra, Lilburn had tried to<br />

secure a performance <strong>of</strong> his Suite ~or<br />

Strings. However, the orchestra<br />

members were not hapl2Y about the work,. <strong>and</strong> only the first movement<br />

reached the rehearsal stage. 3<br />

No other <strong>music</strong> positions were available in Wellington at that time,<br />

Clare <strong>and</strong> Lilburn had met in Wellington the preceding<br />

the day I l<strong>and</strong>ed back in Wellington in August 1940."<br />

in corr~spondence with author 29 July 1983).<br />

2 Douglas Lilburn in conversation with author March 1983.<br />

3 Scott papers.<br />

year," on<br />

(Douglas Lilburn

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