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The beginnings and development of a New Zealand music: The life ...

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65<br />

house under the guidance <strong>of</strong> Denis Glover <strong>and</strong> Leo Bensemann-. It is the<br />

Caxton Press that can be credited with the first significant publication 8<br />

<strong>of</strong> Lilburn's <strong>music</strong>. His Four Preludes for Piano (1942-4) was published<br />

in 1945 by Caxton with the artwork by Bensemann.<br />

<strong>The</strong> publication was<br />

reported enthusiastically by D.F.T. in the <strong>New</strong> Zeal<strong>and</strong> Listener:<br />

"<strong>The</strong>re came through the post the other day one<br />

slim folio. In black lettering on an impeccable<br />

grey cover I read "Four Preludes for Piano -<br />

Douglas Lilburn"; inside was the name <strong>of</strong> the<br />

Caxton Press, the year 1945, <strong>and</strong> no word more.<br />

<strong>The</strong> rarity <strong>of</strong> the occasion brought with it an<br />

embarrassment as heavy as a whole truckload <strong>of</strong><br />

books, because I have listened to Mr Lilburn's<br />

<strong>music</strong> when occasional chances have come through<br />

broadcasts <strong>and</strong> recitals, have grown fond <strong>of</strong> it<br />

<strong>and</strong> hoped that some might be published; because<br />

I have admired the work <strong>of</strong> the Caxton Press <strong>and</strong><br />

am delighted to see that they make as good a<br />

job <strong>of</strong> their first printing <strong>of</strong> <strong>music</strong> as they<br />

have done with volumes <strong>of</strong> prose <strong>and</strong> verse;<br />

<strong>and</strong> because here is <strong>music</strong> that has been made<br />

only a few hundred miles away instead <strong>of</strong> at<br />

the other side <strong>of</strong> the world. Yet the publishers<br />

have refrained from drawing attention to these<br />

aspects <strong>of</strong> the matter, <strong>and</strong> for the reviewer<br />

to be showing less composure than the publishers<br />

seems to put the whole thing on an improper<br />

footing right at the outset".9<br />

Inevitably, the close association that formed between Lilburn <strong>and</strong><br />

the group <strong>of</strong> Christchurch artists manifested itself in Lilburn's<br />

compositions.<br />

In a minor, but not unimportant, way it resulted in the<br />

writing <strong>of</strong> various 'Christmas present' compositions, for example, his<br />

Twenty-five Waltzes <strong>and</strong> an Epilogue for L.B. IO <strong>and</strong> his Two Christmas<br />

Pieces for L.B. published "in Occasional Pieces for Piano (1975).<br />

In a more significant <strong>and</strong> tangible way, it resulted in a direct<br />

collaboration with various <strong>New</strong> Zeal<strong>and</strong> poets on many occasions <strong>and</strong> an<br />

almost exclusive use in Lilburn's output <strong>of</strong> indigenous texts. <strong>The</strong><br />

<strong>beginnings</strong> <strong>of</strong> this collaboration can-be found in Prodigal Country (with<br />

Robin Hyde's Journey from <strong>New</strong> Zeal<strong>and</strong> <strong>and</strong> Allen Curnow's <strong>New</strong> Zeal<strong>and</strong> City).<br />

8 Earlier publications included Two Piano Pieces: Prelude <strong>and</strong> Jubilate<br />

(c.1942) published in Music Ho <strong>and</strong> Prelude No.1 <strong>of</strong> the Four Preludes<br />

for Piano published in the Lady <strong>New</strong>all Gift Book (Caxton Press 1944).<br />

9 D.F.T. <strong>New</strong> Music Douglas Lilburn "Four Preludes for Piano". <strong>New</strong><br />

Zeal<strong>and</strong> Listener vol.13 no.318, 27 July 1945:13.<br />

10 L.B. - Leo Bensemann.

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