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The beginnings and development of a New Zealand music: The life ...

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55<br />

Notices were widely distributed advertising the choral, string<br />

quartet, acting, playwriting <strong>and</strong> composition competitions. <strong>The</strong><br />

composition competition was in two parts, with awards for orchestral<br />

writing <strong>and</strong> awards for choral writing.<br />

Notice <strong>of</strong> this composition competition reached Lilburn in London.<br />

Three works he had already composed whilst at the Royal College <strong>of</strong> Music<br />

fitted the requirements <strong>of</strong> the competition.<br />

Lilburn entered all three.<br />

<strong>The</strong> first <strong>of</strong> these works, Drysdale Overture (dedicated to his<br />

father Robert Lilburn <strong>and</strong> the farm Lilburn spent his early years on), was<br />

written in Lilburn's first term at the Royal College.<br />

On the recommendation<br />

<strong>of</strong> Vaughan Williams, it had been given a first performance in a<br />

rehearsal by the College's First Orchestra.<br />

Festival Overture <strong>and</strong> Prodigal Country were written in the<br />

following year <strong>of</strong> 1939.<br />

<strong>The</strong> latter work was composed during the summer<br />

holidays (8 August to 7 September) 13 <strong>and</strong> uses texts by the <strong>New</strong> Zeal<strong>and</strong><br />

poets Allen Curnow (<strong>New</strong> Zeal<strong>and</strong> City)<strong>and</strong> Robyn Hyde (Journey from Engl<strong>and</strong>),<br />

as well as Walt Whitman's Song <strong>of</strong> Myself (No.2 I). As Robyn Hyde was<br />

present in London at this time, Lilburn collaborated with her in the<br />

preparation <strong>of</strong> the text.· <strong>The</strong> appeal to Lilburn <strong>of</strong> Hyde's text lay in<br />

the recurrent theme <strong>of</strong> exile from one's native l<strong>and</strong>:<br />

"I too am sold into strangeness<br />

'let in my heart can only dissolve, reform, 14<br />

<strong>The</strong> circling shapes <strong>of</strong> <strong>New</strong> Zeal<strong>and</strong> things."<br />

<strong>The</strong> year 1939 also saw the composition <strong>of</strong> two sonatas for piano:<br />

the [Sonata in A minor] <strong>and</strong> the Sonata for Pian<strong>of</strong>orte No.2 in F-sharp<br />

• 15<br />

m~nor.<br />

During the 'phony war'<strong>of</strong> 1939 Lilburn continued his studies at<br />

the Royal College; however, he was beginning to feel restless for his<br />

home country.<br />

For the first two months <strong>of</strong> World War II, virtually all<br />

cultural activities in London ceased •.. <strong>The</strong>n, suddenly,· the need for<br />

continuing such activities impinged upon the national consciousness.<br />

Music (<strong>and</strong> all art-forms) flourished.<br />

<strong>of</strong> the common German threat.<br />

<strong>The</strong> people were united in the face<br />

About this time, Lilburn heard <strong>of</strong> plans to celebrate the <strong>New</strong><br />

Zeal<strong>and</strong> Centenary in London.<br />

This was to take the form <strong>of</strong> a concert<br />

13 As dated in the autograph manuscript score <strong>of</strong> Prodigal Country.<br />

14 Extract from text to Prodigal Country, ibid.<br />

\5 Autograph manuscripts housed at Alex<strong>and</strong>er Turnbull Library.

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