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The beginnings and development of a New Zealand music: The life ...

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89<br />

"Not in Australia ••• although I had many<br />

manuscripts submitted to me. But in <strong>New</strong><br />

Zeal<strong>and</strong> I found one very promising young<br />

composer, Douglas Lilburn <strong>of</strong> Christchurch.<br />

I was impressed with his work, <strong>and</strong> I have<br />

brought back with me one <strong>of</strong> his scores entitled<br />

Diversions. This will be added to the<br />

repertoire <strong>of</strong> my orchestra, <strong>and</strong> I hope the<br />

British public shortly will have the 29<br />

opportunity to hear <strong>and</strong> appreciate it."<br />

If one examines the <strong>life</strong> <strong>of</strong> a successful artist, one inevitably<br />

comes up with names <strong>of</strong> people who have fought for the artist to be heard,<br />

creating opportunities for the artist wherever possible. Lilburn's<br />

champion 30 has been Frederick Page, an influential figure in <strong>New</strong> Zeal<strong>and</strong><br />

31<br />

from the late-1930s through to the present day.<br />

Page had only vaguely known Lilburn in Christchurch in the 1930s.<br />

He had met him again briefly in 1937 in London, shortly after Lilburn had<br />

arrived there <strong>and</strong> prior to Page's return to <strong>New</strong> Zeal<strong>and</strong>.<br />

When news<br />

f ~ 'l tere d b ac k to C h' r~stc h urch that L~ 'lb urn h a d won t h e Co bb ett Pr~ze, ,32<br />

it was Page who wrote away to London for the score <strong>and</strong> parts <strong>of</strong> the<br />

"Westron Wynde" Phantasy String Quartet <strong>and</strong> organised the <strong>New</strong> Zeal<strong>and</strong><br />

premiere.<br />

"From the first we recognised there was a<br />

stamp on the <strong>music</strong>: yet some felt it was<br />

disconcerting to have a composer around.<br />

How did we know the composer would be any<br />

good? Why should we be now asked to do<br />

the extra work <strong>of</strong> listening to new <strong>music</strong>?<br />

Would this newcomer call the bluff <strong>of</strong> the<br />

fuddy-duddies?"33<br />

29 Boyd Neel tells the English press about us. Evening Post 6 October<br />

1947.<br />

30 Page's championship <strong>of</strong> Lilburn has extended the full length <strong>of</strong><br />

Lilburn's career. However, Page has never accepted Lilburn's works<br />

in the electronic medium.<br />

31 Frederick Page was born in Lyttelton on 4 December 1905. -He was<br />

educated at Christchurch Boys High School <strong>and</strong> the Royal College <strong>of</strong><br />

Music, London. He married the artist Evelyn Page in 1938. In 1941<br />

<strong>and</strong> 1942 Page was a lecturer in <strong>music</strong> at Canterbury University College.<br />

In 1946 he was appointed Senior Lecturer <strong>and</strong> Head <strong>of</strong> the Music Department<br />

at Victoria University College. In 1957 he gained a Chair in<br />

Music, <strong>and</strong> continued working as Pr<strong>of</strong>essor <strong>of</strong> Music at Victoria<br />

University College (latterly Victoria University <strong>of</strong> Wellington) until<br />

his retirement in 1970. He has served on numerous <strong>music</strong> committees<br />

throughout his career, written for many publications, <strong>and</strong> performed<br />

frequently both as a pianist <strong>and</strong> conductor.<br />

32 See Part I Chapter 3.<br />

33 Frederick Page as in Owen Jensen <strong>and</strong> others, A birthday for mus~c.<br />

<strong>New</strong> Zeal<strong>and</strong> Listener vol.53 no.1360, 29 October 1965:8.

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