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The beginnings and development of a New Zealand music: The life ...

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47<br />

mighty <strong>and</strong> well worth while." 39<br />

Forest was given its premiere performance1n the Wellington Town<br />

Hall on 25 May 1937, by the Wellington Symphony Orchestra conducted by<br />

Leon de Mauny. <strong>The</strong> concert was broadcast live on 2YA. <strong>The</strong> Dominion<br />

carried the following comments in its review the following day:<br />

"Mr Lilburn I s work, which made an unmistakable<br />

impression, is reminiscent <strong>of</strong> none other to an<br />

extent that one may call imitation. He has given<br />

the world something quite fresh <strong>and</strong> new in his<br />

interpretation <strong>of</strong> the moods <strong>of</strong> the forest •••<br />

embodying as it does the murmurings <strong>of</strong> the neverstatic<br />

<strong>life</strong> <strong>of</strong> the forest, its cool depths, <strong>and</strong><br />

the gr<strong>and</strong>eur <strong>of</strong> it all.<br />

<strong>The</strong> solemnity <strong>of</strong> the forest is given out in the<br />

opening bars by the lower strings, which gives<br />

place to some delightful interchanges between<br />

the woodwinds <strong>and</strong> strings, with notable work for<br />

the 'cello <strong>and</strong> flute, developing into a woodwind<br />

chorus with a string accompaniment played<br />

pizzicato - a joyous noonday acclaim. <strong>The</strong>re<br />

follows an extremely beautiful string quartet,<br />

daring in its quietude <strong>and</strong> richly harmonic,<br />

after which there are surging climaxes which<br />

see the entry <strong>of</strong> the brass in full force. But<br />

their blazing passages are brief, <strong>and</strong> once more<br />

the <strong>music</strong> cools to a delightful passage for the<br />

lower strings which leads to a particularly<br />

lovely finale in which all is peace, harmony <strong>and</strong><br />

sweet restfulness. Mr Lilburn employs the full<br />

orchestra <strong>and</strong> his instincts are sure. He should<br />

go far in the world <strong>of</strong> composition.,,40<br />

Lilburn's winning <strong>of</strong> this Percy Grainger competition, then, was<br />

a turning point for him.<br />

From this point on he decided to devote his<br />

energies completely to <strong>music</strong>, with a concentration on composition.<br />

Appreciating, however, his own seriously limited background in <strong>music</strong>, <strong>and</strong><br />

aware <strong>of</strong> the paucity <strong>of</strong> opportunity to further his <strong>music</strong>al knowledge <strong>and</strong><br />

experience within <strong>New</strong> Zeal<strong>and</strong>, his thoughts turned to overseas study.<br />

Like most <strong>of</strong> his generation overseas study meant London, <strong>and</strong> in particular<br />

for Lilburn, it meant Vaughan Williams.<br />

"When I was a student at Canterbury College<br />

I had a great ambition to get to London to<br />

39 ibid.<br />

40 Symphony orchestra, <strong>New</strong> Zeal<strong>and</strong> tone poem played. <strong>The</strong> Dominion<br />

26 May 1937.

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