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The beginnings and development of a New Zealand music: The life ...

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abstract movement <strong>of</strong> six dancers on stage, but<br />

shadows in the sounds give premonition <strong>of</strong> the<br />

seventh dancer who arrives with a rude shadow <strong>of</strong><br />

self-assertiveness. He is partly welcomed <strong>and</strong><br />

partly rejected, through a series <strong>of</strong> episodes,<br />

<strong>and</strong> midway through the piece is left full <strong>of</strong><br />

maudlin self-pity, <strong>and</strong> gains sympathy. He rejects<br />

this <strong>and</strong> again becomes aggressive, <strong>and</strong> the group<br />

then mocks him <strong>and</strong> finally beats him up. He<br />

revives from this <strong>and</strong> has an erotic pas-de-deux<br />

with one <strong>of</strong> the girls, but she returns to the<br />

group which retreats into unconcern, leaving him<br />

disconsolate".27<br />

145<br />

On 2 November 1975, Lilburn turned sixty years <strong>of</strong> age. To mark<br />

28<br />

the occasion, the Composers Association <strong>of</strong> <strong>New</strong> Zeal<strong>and</strong>, recently formed<br />

through the instigating efforts <strong>of</strong> David Farquhar, organised a sixtieth<br />

birthday concert for Lilburn. This concert featured works by other <strong>New</strong><br />

Zeal<strong>and</strong> composers (some especially written for the occasion), along with<br />

two works by Lilburn.<br />

<strong>The</strong> programme comprised, in order <strong>of</strong> presentation,<br />

Openers by William Southgate, Music Dari Jalan by Jack Body, Canticle 1975<br />

by Ross Harris, Guitar Pieces by Lilburn, Where Sea Meets Sky by John<br />

Rimmer, Essay to the Memory <strong>of</strong> Dmitri Shostakovitch by Robert Burch, ~<br />

by John Cousins, Five Scenes for Guitar by David Farquhar, Flame Tree by<br />

Noel S<strong>and</strong>ers, <strong>and</strong> Wind Quintet by Lilburn. 29 During the interval <strong>of</strong> this<br />

concert (after the work by Rimmer), a tape <strong>of</strong> a prerecorded interview<br />

30<br />

with Lilburn by Jack Body, made earlier that year, was played.<br />

In 1978 the Composers<br />

Association further honoured Lilburn,<br />

presenting him with a Citation for Services to <strong>New</strong> Zeal<strong>and</strong> <strong>music</strong>.<br />

Lilburn's composition output from 1975 to 1980 was solely<br />

electronic, <strong>and</strong> included Lines <strong>and</strong> Distances (1975),. Carousel (1976)<br />

Winterset (1976), Triptych (1977), Of Time <strong>and</strong> Nostalgia (1977) <strong>and</strong><br />

Soundscape with Lake <strong>and</strong> River (1979).<br />

have all been commercially released on the Kiwi label.<br />

<strong>The</strong> five last-mentioned <strong>of</strong> these<br />

On 31 January 1980, Lilburn <strong>of</strong>ficially retired from his position<br />

27 ibid.<br />

28 <strong>The</strong> Composers Association <strong>of</strong> <strong>New</strong> Zeal<strong>and</strong> had been established during<br />

the weekend <strong>of</strong> 9-10 March 1974 wheri twenty composers from allover<br />

<strong>New</strong> Zeal<strong>and</strong> had gathered in Wellirigton for the occasion <strong>of</strong> the first<br />

Sonic Circus. It was David Farquhar who had iriitiated the es'tablishment<br />

<strong>of</strong> this pr<strong>of</strong>essional organisation for composers, following his<br />

visit to Australia in 1973 <strong>and</strong> attendance <strong>of</strong> a meeting <strong>of</strong> the<br />

Australian Fellowship <strong>of</strong> Composers. For further details see<br />

Appendix A5.<br />

29 Douglas Lilburn's 60th birthday concert. CANZ <strong>New</strong>sletter February<br />

1976:4.<br />

30 Jack Body interviewing Douglas Lilburn October 1975. Copyat<br />

Alex<strong>and</strong>er Turnbull Library.

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