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The beginnings and development of a New Zealand music: The life ...

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76<br />

Tragedy had struck the cOlIlIIlunity <strong>of</strong> Christchurch in March <strong>of</strong> 1944<br />

52<br />

with the early death <strong>of</strong> pianist Noel <strong>New</strong>son at the age <strong>of</strong> 32. Plans<br />

were made for a Noel <strong>New</strong>son Memorial Concert, the proceeds <strong>of</strong> which were<br />

to go to help establish a fund "lith the purpose <strong>of</strong> assisting <strong>music</strong><br />

students further their studies. <strong>The</strong> monetary goal was £1,000.<br />

Civic <strong>The</strong>atre.<br />

<strong>The</strong> concert was scheduled for Wednesday 5 September 1945, 1n the<br />

It was to include the first performance <strong>of</strong> Lilburn's<br />

specially composed EleSl for soprano, contralto <strong>and</strong> strings, based on<br />

poetry by Robert Herrick, Willi,3m Blake, George Herbert <strong>and</strong> William<br />

Shakespeare.<br />

What began as a fitting tribute <strong>and</strong> gesture to the late<br />

Noel <strong>New</strong>son ended as something <strong>of</strong> a 'storm in a teacup' sc<strong>and</strong>al, with<br />

Lilburn as the central character.<br />

"SCORES TAKEN FRO::-l SINGERS BY CONDUCTOR"<br />

"An incident at the Noel <strong>New</strong>son memorial<br />

concert in the Civic <strong>The</strong>atre has caused<br />

widespread comment in Christchurch <strong>music</strong>al<br />

circles .-<br />

During the first item, an elegy for<br />

strings <strong>and</strong> voices composed by Mr Douglas<br />

Lilburne [sic], <strong>of</strong> Christchurch, who was<br />

conducting the 3YA Orchestra, the performance<br />

was interrupted by Mr Lilburne taking a<br />

joint vocal score away from the two soloists.<br />

<strong>The</strong> composition was specially written for<br />

the concert by Mr Lilburne. <strong>The</strong> solo parts<br />

were taken by Miss Phyllis M<strong>and</strong>er, soprano,<br />

<strong>and</strong> Miss Iris Moxley, contralto.<br />

During the early part <strong>of</strong> the performance,<br />

latecomers spoilt the <strong>music</strong> for a large crowd<br />

already in the theatre <strong>and</strong> there was an air <strong>of</strong><br />

tension in the atmosphere.<br />

In the concluding stages <strong>of</strong> the elegy<br />

Misses M<strong>and</strong>er <strong>and</strong> Moxley were interrupted by<br />

Mr Lilburne. <strong>The</strong> <strong>music</strong> resumed, <strong>and</strong> again the<br />

singers were interrupted.<br />

CONDUCTOR'S ACTION<br />

For the third time the <strong>music</strong> was taken up.<br />

Mr Lilburne on this occasion left the conductor's<br />

st<strong>and</strong>, <strong>and</strong> walking across to the singers, took<br />

their joint score, <strong>and</strong> left the stage. <strong>The</strong><br />

singers soon followed.<br />

When Mr Lilburne returned to the stage a<br />

minute or two later <strong>and</strong> tried to make himself heard,<br />

his voice was lost in the noise.<br />

Those in the front seats understood Mr Lilburne<br />

to say that he wa.s sorry to have had to interrupt<br />

the performance, but it had been insufficiently<br />

rehearsed."53<br />

52 Obituary. <strong>The</strong> Press 27 March 1944:6.<br />

53 Scorl~s taken from singers by conductor. <strong>The</strong> Star-Sun 8 September<br />

1945:8.

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