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The beginnings and development of a New Zealand music: The life ...

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Zeal<strong>and</strong> <strong>music</strong>.<br />

<strong>The</strong> reviewers were also in agreement that the work<br />

/<br />

embodied a new direction for Lilburn's style, <strong>and</strong> that it was not easy<br />

to appreciate the new techniques explored in one listening. Owen Jensen<br />

in writing <strong>of</strong> the premiere performance in <strong>The</strong> Evening Post noted:<br />

"This <strong>music</strong> dem<strong>and</strong>s concentration <strong>and</strong> needs more<br />

exploration than one listening can <strong>of</strong>fer. It is<br />

<strong>music</strong> that may never be popular-but, even at<br />

first listening, it is obvious that it has much<br />

to say <strong>and</strong> that it represents a new <strong>and</strong> even more<br />

mature Lilburn •<br />

•••• It is, in fact, an important work <strong>and</strong> may<br />

very well prove to be a l<strong>and</strong>mark in <strong>New</strong> Zeal<strong>and</strong><br />

<strong>music</strong>."B<br />

Russell Bond in writing for <strong>The</strong> Dominion found that:<br />

" ••• though Douglas Lilburn has produced two<br />

-other symphonies, this one was quite unlike<br />

any other <strong>music</strong> <strong>of</strong> his.<br />

At this one hearing I could detect amost none <strong>of</strong><br />

the fingerprints that normally reveal the<br />

authorship <strong>of</strong> Lilburn's works. This seemed<br />

something new in method <strong>and</strong> mood, something<br />

that in its clarity, its directness, its<br />

tautness <strong>and</strong> superbly concentrated aim was<br />

particularly exciting."9<br />

Roger Savage in the <strong>New</strong> Zeal<strong>and</strong> Listener found that the symphony:<br />

" ••• is a work <strong>of</strong> real maturity, assured <strong>and</strong><br />

arresting. At first hearing, the symphony<br />

presents itself as formidable, a disturbing<br />

assault on the nerves, for all that it only<br />

lasts about a quarter <strong>of</strong> an hour. Though<br />

a short work, quite unpadded, it seems a<br />

long one; not because it is ever dull, but<br />

because keeping up with the arguments <strong>of</strong><br />

such an intelligence in such an ungenial<br />

mood is something <strong>of</strong> a strain. A short work -<br />

but the most distinguished <strong>New</strong> Zeal<strong>and</strong> <strong>music</strong><br />

I have yet heard."IO<br />

Further recognition for the work came from an unexpected quarter.<br />

<strong>The</strong> Arts Advisory Counciltl voted a £250 award <strong>of</strong> achievement to Douglas<br />

8 Owen Jensen, Superb concert that stunned. <strong>The</strong> Evening Post<br />

t August 1962.<br />

9 Russell Bond.<br />

-<br />

Symphony comes to <strong>life</strong>. <strong>The</strong> Dominion August 1962.<br />

10 Roger Savage, Lilburn's third. <strong>New</strong> Zeal<strong>and</strong> Listener vol.47<br />

no.1196, 17 August 1962:7.<br />

11 <strong>The</strong> Arts Advisory Council was a short-lived body organised under the<br />

auspices <strong>of</strong> the Department <strong>of</strong> Internal Affairs, with the function <strong>of</strong><br />

recommending the allocation <strong>of</strong> grants in the arts to the Government.<br />

Established in 1960, it replaced the old three-committee system <strong>of</strong><br />

advising on funding in the arts. In 1963 the Arts Advisory Council<br />

was superceded by the Queen Elizabeth II Arts Council <strong>of</strong> <strong>New</strong><br />

Zeal<strong>and</strong>. For further details see Appendix A13.<br />

122

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