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The beginnings and development of a New Zealand music: The life ...

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312<br />

bringing the short second note <strong>of</strong> the pattern into sharp relief. In a<br />

sense, notes following an 'active' rest are accented by default.<br />

As pointed out in the discussion "Melody in Lilburn",5 many <strong>of</strong><br />

Lilburn's melodies make use <strong>of</strong> the active rest. To recall but a few<br />

examples:<br />

Ex.17: Festival Overture, clarinet (as sounding), bars 72-80.<br />

Ex.18: L<strong>and</strong>fall in Unknown Seas movement I, violin I bars 15-20.<br />

~t<br />

\ ,<br />

I ( J<br />

. .<br />

l ,<br />

• • ) c.<br />

f" stA"'- •<br />

U tit { I J l I 1 I 1 l' r I J. z J 1 ! J 7''!§<br />

f I<br />

...<br />

A I<br />

rvv<br />

Ex.19: Aotearoa Overture, violins bars 31-2.<br />

Ex.20: Symphony No.2 movement IV, violin I bars 1-6.<br />

5 Part II Chapter 2.

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