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The beginnings and development of a New Zealand music: The life ...

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42<br />

It seems unlikely that this decision was anything more than a<br />

vague schoolboy notion at that point, nevertheless, in choosing to attend<br />

Canterbury University College in 1934 as a full-time student, Lilburn<br />

opted to include a unit <strong>of</strong> <strong>music</strong> in his four-unit course for the year.<br />

<strong>The</strong> main thrust <strong>of</strong> his study, though, was directed initially towards<br />

journalism, a choice <strong>of</strong> subject area no doubt stemming from his interest<br />

in literature <strong>and</strong> the experience gained from being on the committee <strong>of</strong><br />

editors for <strong>The</strong> Waitakian.<br />

"<strong>The</strong> reason why I was able to go to Christchurch<br />

was that I probably persuaded my parents that I<br />

might have a career in journalism or something.<br />

It was just a sideline. I took Principles <strong>and</strong><br />

Practice <strong>of</strong> Journalism from someone who was<br />

editor <strong>of</strong> the old Sun I think, the evening<br />

newspaper. He cured me <strong>of</strong> wanting to work in<br />

journalism very quickly. In the meantime I'd<br />

waffled into the Music Department <strong>and</strong> gained<br />

high marks, so I began to switch."25<br />

<strong>The</strong> Music Department, during the three years that Lilburn was<br />

enrolled at the College, was in the sole charge <strong>of</strong> Dr J.C. Bradshaw, an<br />

organist, choirmaster <strong>and</strong> scholar <strong>of</strong> distinction. John Christopher<br />

Bradshaw was <strong>of</strong> English descent, born 23 June 1876, at Adlington,<br />

Lancaster. At an early age Bradshaw had developed an interest in church<br />

<strong>music</strong>, <strong>and</strong> by the time he was fifteen he had become organist <strong>and</strong> choirmaster<br />

<strong>of</strong> Christchurch Church, Adlington.<br />

He graduated Bachelor <strong>of</strong> Music<br />

in 1898 from Manchester University, became a Fellow <strong>of</strong> the Royal College<br />

<strong>of</strong> Organists in 1899 <strong>and</strong> a Licentiate <strong>of</strong> the Royal Academy <strong>of</strong> Music,<br />

London in 1900. In 1901 he was awarded a-Doctorate <strong>of</strong> Music at the<br />

Un1vers1ty . . f h 26<br />

0 Manc ester.<br />

On graduation, Bradshaw's attention was drawn to a notice<br />

advertising the joint positions <strong>of</strong> Organist <strong>and</strong> Director <strong>of</strong> the Choir at<br />

the Christchurch Cathedral, <strong>New</strong> Zeal<strong>and</strong>, <strong>and</strong> Lecturer in Music at the<br />

Canterbury University College.<br />

He successfully applie.d for the<br />

positions, <strong>and</strong> began work in Christchurch in 1902.<br />

had a roll <strong>of</strong> 263 students that year;<br />

enrolled, it had risen to 1044. 27<br />

Canterbury College<br />

by 1934 when Lilburn first<br />

25 Douglas Lilburn as in Fragments <strong>of</strong> a stolen conversation, op.cit.p.18.<br />

26 F .K. Tucker, J .C. Bradshaw Christchurch, CaxtonPress, 1955. 179pp.<br />

27 W.J. Gardner, E.T. Beardsley, T.E. Carter, A History <strong>of</strong> the University<br />

<strong>of</strong> Canterbury 1873-1973 Christchurch, University <strong>of</strong> Canterbury,<br />

1973:472-3.

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