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The beginnings and development of a New Zealand music: The life ...

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88<br />

main Mr Lilburne's quartet is rousing<br />

<strong>and</strong> unusual."24<br />

Late in 1946, Lilburn began writing some pieces for string<br />

orchestra, prompted by the impending arrival <strong>of</strong> the Boyd Neel String<br />

Orchestra from Engl<strong>and</strong>.<br />

25<br />

An old acquaintance <strong>and</strong> first violinist in<br />

the Boyd Neel group, Vivien Dixon,26 had urged Lilburn to send Boyd Neel<br />

some <strong>music</strong> for the orchestra to play during its Australasian tour.<br />

Lilburn completed these pieces, entitled Diversions, early in<br />

1947. He forwarded them to Neel, who was by that time in Sydney on the<br />

Australian leg <strong>of</strong> the tour. When the orchestra arrived in <strong>New</strong> Zeal<strong>and</strong>,<br />

Boyd Neel featured Diversions in the group's Wellington <strong>and</strong> Christchurch<br />

concerts.<br />

Diversions were premiered in the Wellington Town Hall on 9 July<br />

1947. 27 <strong>The</strong> Dominion in a review <strong>of</strong> the concert described Diversions<br />

as:<br />

" a work <strong>of</strong> high merit, orchestrated with<br />

deftness <strong>and</strong> facility <strong>of</strong> imagination, with<br />

a freedom'<strong>of</strong> form <strong>and</strong> expression that conveyed<br />

originality in <strong>music</strong>al thought. <strong>The</strong> "Diversions ll<br />

are five in number - a gently delicate "vivace",<br />

suggesting the Spanish idiom, with its pizzicato<br />

accompaniment to the opening theme, a "poco adagio"<br />

in solemn dark-toned mood, which merges into a<br />

sprightly "allegro", a spirited "presto" <strong>and</strong> a<br />

lovely "<strong>and</strong>ante" <strong>of</strong> quiet depth, terminating·in<br />

a striking G string figure <strong>of</strong> intense feeling.<br />

Its smooth performance by the orchestra, so<br />

sensitively instructed by Mr Boyd Neel, was<br />

greeted with immense enthusiasm. Douglas Lilburn,<br />

who was present, was beckoned to the front <strong>of</strong> the<br />

audience by the conductor three times, <strong>and</strong> was<br />

applauded to the echo."28<br />

Boyd Neel's comments to the English press on his return to<br />

Engl<strong>and</strong> are interesting. When asked whether he had found any locally<br />

written <strong>music</strong> in Australia worthy <strong>of</strong> performance he replied:<br />

24 Musica Viva players charm large audience. <strong>The</strong> Dominion 15 August<br />

1950.<br />

25 Toured under the auspices <strong>of</strong> the British Council, <strong>and</strong> managed by the<br />

promoter D.D. O'Connor. (Programme for first Wellington concert <strong>of</strong><br />

the tour.)<br />

26 Vivien Dixon had performed a number <strong>of</strong> Lilburn's works in<br />

Christchurch in the early 1940s, including the premiere performance<br />

<strong>of</strong> Sonata in E-flat for violin <strong>and</strong> piano, 1943.<br />

27 Programme to concert.<br />

28 <strong>The</strong> Dominion 10 July 1947.

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