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The beginnings and development of a New Zealand music: The life ...

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87<br />

entitled Song <strong>of</strong> the Antipodes (retitled Song <strong>of</strong>. Isl<strong>and</strong>s twenty years<br />

later). It was premiered by the National Orchestra in the<br />

Wellington Town Hall on Wednesday 20 August 1947 in the final concert <strong>of</strong><br />

the orchestra's inaugural season. 22 <strong>The</strong> conductor was Warwick Braithwaite,<br />

the conductor <strong>of</strong> the Aotearoa Overture at its premiere performance in the<br />

<strong>New</strong> Zeal<strong>and</strong> Centenary Matinee in London.<br />

<strong>The</strong> reviews <strong>of</strong> Song <strong>of</strong> the Antipodes were favourable.<br />

Music Ho,<br />

for example, had the following comments to make about the work's first<br />

performance:<br />

"Song <strong>of</strong> the Antipodes is neither a tone-poem<br />

nor a symphony. <strong>The</strong> song part <strong>of</strong> th~ title<br />

refers to the chorale-like theme which gives<br />

coherence to the work while Antipodes with<br />

all its connotations in regard to <strong>New</strong> Zeal<strong>and</strong><br />

is the inspirational background giving shape<br />

to the ideas <strong>and</strong> colour to the moods. <strong>The</strong><br />

work is well integrated <strong>and</strong> concise in<br />

expression. Lilburn's harmonic idiom is<br />

exp<strong>and</strong>ed from the traditional only as far as<br />

he feels the need to give precise expression<br />

to his ideas, <strong>and</strong> there is no straining at<br />

dissonance or complex key relationships for<br />

their own sake. <strong>The</strong> orchestration seems<br />

designed to illustrate, as it were, the<br />

texture <strong>of</strong> the <strong>music</strong> <strong>and</strong> the orchestral colour<br />

rises from the <strong>music</strong>al shapes."23<br />

Lilburn was once again establishing himself as an orchestral composer.<br />

String Quartet in"E minor was also composed in 1946. However,<br />

this work was not given its first performance until 1950, when it was<br />

performed by the touring Australian group, Musica Viva Quartet.<br />

This<br />

was at a concert organised by the Wellington Chamber Music Society in<br />

the Wellington Town Hall 14 August 1950.<br />

work was given in <strong>The</strong> Dominion the next day:<br />

<strong>The</strong> following account <strong>of</strong> the<br />

"<strong>The</strong> String Quartet in E minor by our own<br />

Douglas Lilburne [sic], rather suffered<br />

from being s<strong>and</strong>wiched in between Haydn <strong>and</strong><br />

Mozart. This <strong>music</strong>, as played by the four<br />

strings, is fervently, almost ferociously,<br />

melodramatic, with the 'cello firing the<br />

big guns ••• while the violins soared to<br />

ethereal heights "above the clamour. True,<br />

there were tranquil passages in the <strong>and</strong>ante<br />

ripe with promises unfulfilled, but in the<br />

22 Programme to concert.<br />

23 Lilburn's first performance: "Song <strong>of</strong> the Antipodes". Music Ho<br />

vol.5 no.4, 1947:4.

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