Patent It Yourself - PDF Archive
Patent It Yourself - PDF Archive
Patent It Yourself - PDF Archive
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
24 | <strong>Patent</strong> it YOURSELF<br />
latter will be cheaper, quicker, and easier to obtain, but<br />
limited to the specific shapes of the letters. Note that unlike<br />
design patents, copyright can be used to cover some aesthetic<br />
shapes even if they also have a significant function.<br />
In many areas both forms of coverage can be used together<br />
for different aspects of the creation. Thus in parlor games,<br />
the game apparatus, if sufficiently unique, can be patented,<br />
while the gameboard, rules, box, and design of the game<br />
pieces can be covered by copyright. The artwork on the<br />
box or package for almost any invention can be covered by<br />
copyright, as can the instructions accompanying the product.<br />
Also the name of the game (for example, Dungeons &<br />
Dragons) is a trademark and can be covered as such.<br />
If the invention can also be considered a sculptural work,<br />
or if it’s embodied or encased in a sculptural work, copyright<br />
is available for the sculpture. However, copy right can’t be<br />
used for a utilitarian article, unless it has an aesthetic feature<br />
that can be separated from and can exist independently of<br />
the article. This rule, known as the “separability requirement,” is<br />
very important in copyright law.<br />
Of course, to emphasize my earlier point, both copyrights<br />
and patents generally have their exclusive domains. Assuming<br />
they don’t have any aesthetic components, patents are<br />
exclusive for machines, compositions, articles, processes, and<br />
new uses per se. On the other hand, copyrights are exclusive<br />
for works of expression, such as writings, sculpture, movies,<br />
plays, recordings, and artwork, assuming they don’t have any<br />
functional aspects.<br />
c. Copyright Compared to Design <strong>Patent</strong>s<br />
There’s considerable overlap here, since aesthetics are the<br />
basis of both forms of coverage. Design patents are used<br />
mainly to cover industrial designs where the shape of the<br />
object has ornamental features and the shape is inseparable<br />
from, or meaningless if separated from, the object. For<br />
example, a tire tread design, a computer case, and the<br />
workshop clock shaped like a saw blade (see Section B,<br />
above) are perfect for a design patent, but a surface decal,<br />
which could be used elsewhere, is not. In other words, if<br />
the work is purely artistic, a design patent is improper.<br />
Copyright, on the other hand, can be used for almost any<br />
artistic or written creation, whether or not it’s inseparable<br />
from an underlying object, so long as the aspect of the<br />
work for which copyright is being sought is ornamental<br />
and not functional. This means copyright can be used for<br />
pure surface ornamentation, such as the artwork on a can<br />
of beans, as well as sculptural works where the “art” and<br />
the object are integrated, such as a statue. For instance, the<br />
shape of a toy was held to be properly covered by copyright<br />
since the shape played no role in how the toy functioned<br />
and since a toy wasn’t considered to perform a useful<br />
function (although many parents who use toys to divert their<br />
children would disagree). The same principle should apply to<br />
“adult toys,” provided they are strictly for amusement and<br />
don’t have a utilitarian function.<br />
What are the differences in the coverage afforded by<br />
design patents and copyright? Design patents are relatively<br />
expensive to obtain (the filing fee is higher, an issue fee is<br />
required—see Fee Schedule in Appendix 4), formal drawings<br />
are required, a novelty examination is required, and the<br />
rights last only 14 years. However, a design patent offers<br />
broader rights than a copyright in that it covers the aesthetic<br />
principles underlying the design. This means that someone<br />
else coming up with a similar, but somewhat changed<br />
design would probably be liable for patent infringement.<br />
Copyright, on the other hand, provides relatively narrow<br />
offensive rights (minor changes in all of the artwork’s<br />
features will usually avoid infringement), the government<br />
fee for registration is very small (see Fee Schedule), the term<br />
is long (the life of the creator plus 70 years, or a flat 95 or<br />
120 years for works classified as made-for-hire). And as no<br />
novelty examination is performed, you’re virtually assured of<br />
obtaining a copyright registration certificate if you file.<br />
<strong>It</strong> has been said that a design patent is basically a copyright<br />
with the teeth of a patent because it can cover similar areas as<br />
copyright but provides broader offensive rights.<br />
Because the distinctions between design patents and<br />
copy rights are especially confusing, I’ve provided a<br />
comparison chart to summarize the distinctions between<br />
these two forms in Fig. 1D.<br />
4. When and How to Obtain<br />
Copyright Coverage<br />
If you desire to obtain coverage for a copyrightable invention,<br />
program, creation, or for instructions, packaging, or art work<br />
that goes with your invention, you don’t need to do anything<br />
until the item is distributed or published. This is because,<br />
as mentioned, your copyright rights arise when your work<br />
is first put into tangible form. And, although there is no<br />
requirement for a copyright notice on your work before it’s<br />
generally distributed to the public, I strongly advise you to<br />
put the proper copyright notice on any copyrightable material<br />
right away, since this will give anyone who receives the<br />
material notice that you claim copyright in it and they<br />
shouldn’t reproduce it without permission.<br />
When your material is distributed to the public, it’s even<br />
more desirable (though no longer mandatory for works<br />
published after March 1, 1989) that you place a copyright<br />
notice on it to notify others that you claim copyright and<br />
to prevent infringers from claiming they were “innocent”<br />
and thus entitled to reduced damages. This notice should