Chapter 1. Color Management Background - Kodak
Chapter 1. Color Management Background - Kodak
Chapter 1. Color Management Background - Kodak
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<strong>Chapter</strong> <strong>1.</strong> <strong>Color</strong> <strong>Management</strong> <strong>Background</strong><br />
<strong>Color</strong> <strong>Management</strong><br />
ICC Profile Creation & Linearization<br />
The * on the previous slide indicated that the ICC patch pattern be printed<br />
with the appropriate linearization level.<br />
• This is for the same reasons we apply linearization to real data<br />
• Prevent paper/ink interaction problems<br />
• Achieve linear tone<br />
• Since we do this manipulation outside the profiling software<br />
(Monaco), we must ALWAYS do the manipulation (linearization)<br />
whenever we use the ICC profile Monaco creates.<br />
• To make sure we always do this, EFI requires that we embed the<br />
linearization curves in the ICC profile<br />
• The <strong>Color</strong> Toolkit does this embedding<br />
More of the system<br />
Source ICC Profile<br />
(RGB)<br />
L*a*b*<br />
COLOR<br />
MANAGMENT<br />
MODULE<br />
L*a*b*<br />
Destination / Output<br />
ICC Profile (CMYK)<br />
How does this system know if it found the closest Lab match in the output profile?<br />
And what do we do if there is no match?<br />
<strong>Color</strong> <strong>Management</strong> and Workflow User Guide 1 - 13