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a Chapter 6 Sonographic Color Flow Mapping: Basic Principles 73<br />

achromatic colors and include black, gray, and white.<br />

The chromatic colors are further classified into<br />

groups according to their hue. All hues of red are<br />

grouped together, all blues are together, and so on,<br />

resulting in a continuous circle of overlapping hues.<br />

The human eye is incapable of differentiating between<br />

two superimposed primary hues, which led to<br />

the discovery that it was possible to produce any given<br />

color using a combination of three primary colors.<br />

The selection of the three primary hues is arbitrary.<br />

Red, blue, and green colors are used in color video<br />

displays, including color flow mapping, whereas artists<br />

use red, blue, and yellow pigments as their three<br />

primary colors.<br />

The next characteristic of light for color classification<br />

is luminance, which is the brightness: Some of<br />

the chromatic colors of a single hue are darker or<br />

lighter than others, analogous to the degrees of gray<br />

of the achromatic colors. This classification is known<br />

as luminance or brightness.<br />

The third property for color grouping is saturation,<br />

which indicates the combination of a hue of particular<br />

brilliance with an achromatic color of the<br />

same brightness. The consequent light stimulus depends<br />

on the relative amount of the chromatic and<br />

achromatic components in which the latter has 0 saturation<br />

and the former has a saturation value between<br />

0 and 1.0.<br />

Color Perception<br />

Color is the perception generated by the stimulus of<br />

light falling on the retina of the human eye. The eye<br />

can distinguish a wide range of gradations of hue<br />

and saturation. In contrast, the ability to differentiate<br />

various grades of luminance is relatively limited.<br />

Therefore refined appreciation of color maps is<br />

achieved better with hue and saturation than with<br />

luminance. Hues with higher luminance are better<br />

perceived by older observers.<br />

In regard to the impact of color blindness on a diagnostician's<br />

ability to assess color flow mapping, it<br />

should be recognized that about 8.0% of men and<br />

fewer than 0.5% of women suffer from varying degrees<br />

of deficiency of color perception. Total absence<br />

of color vision is rare. Anomalopia is partial color<br />

blindness, in which both red and green are poorly<br />

recognized. Most color-blind persons find it easier to<br />

recognize saturation characteristics of a color flow<br />

map because saturation involves mixing of achromatic<br />

colors with chromatic hues.<br />

Color Encoding of Doppler Flow Signals<br />

Hemodynamic attributes of the interrogated blood<br />

flow are expressed by color encoding of the mean<br />

Doppler shift signals. These attributes are the direction<br />

of flow in relation to the transducer, the magnitude<br />

of velocity, variance of the measured mean parameter<br />

(mean Doppler shift), and the amount of<br />

scattering power (the amplitude or energy or power<br />

of the Doppler shift).<br />

Color Mapping of Direction of Flow<br />

The directionality of flow in relation to the transducer<br />

is depicted in the primary colors of red and blue.<br />

With most Doppler color flow systems, the default<br />

mode depicts the flow toward the transducer as red<br />

and the flow away as blue.<br />

Color Mapping of Velocity<br />

and the Color Bar<br />

The magnitude of the flow velocity is qualitatively expressed<br />

by assigning levels of luminance to the primary<br />

hue. The highest velocity flow is depicted by<br />

the most luminance and the lowest velocity by the<br />

least luminance or black. The highest measurable<br />

velocity toward the transducer is shown in the most<br />

brilliant red, and the highest measurable velocity<br />

away from the transducer in the most brilliant blue.<br />

The highest limit of the velocity unambiguously measurable<br />

by a Doppler color flow mapping system,<br />

based on the pulse Doppler interrogation, is the<br />

Nyquist limit. As noted before (see Chap. 3), this limit<br />

depends on pulse repetition frequency and the depth<br />

of Doppler interrogation. The lowest measurable<br />

velocity in a color flow mapping device depends on a<br />

multiplicity of factors and varies from device to device.<br />

The calibration of the velocity magnitude as a<br />

function of luminance gradation is displayed graphically<br />

on the video screen as a color bar or circle<br />

(Fig. 6.5). It is customary to display the magnitude of<br />

the Doppler shift on the vertical axis and the variance<br />

(see below) on the horizontal axis. The Doppler shift<br />

may be displayed as either frequency or velocity. The<br />

velocity information is merely an approximation, as<br />

the Doppler angle of insonation is not measurable in<br />

color flow mapping. For color flow mapping, it is<br />

usually assumed that this angle is zero. The scales are<br />

not quantitative, and a particular level of luminance<br />

does not reflect a specific single value of Doppler<br />

shift but, rather, a range of values. In addition, the<br />

color bars of the devices do not have any uniformity<br />

of scale for depicting the magnitude of Doppler shift,<br />

as the corresponding levels of brightness are assigned<br />

arbitrarily and on a nonlinear scale. The baseline,<br />

which indicates zero frequency shift, divides the color<br />

bar into positive and negative frequency shifts. The<br />

baseline is indicated as a black band on the color bar,

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