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35053668-Empire-of-the-Soul-Paul-William-Roberts

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158<br />

EMPIRE OF THE SOUL<br />

‘Every fibre’s gotta come alive.’<br />

I stretched reluctantly, <strong>the</strong> bedsprings beneath me protesting<br />

loudly. ‘Now laaaaff.’<br />

‘Laugh?’<br />

‘Yeah. Keep you eyes closed and laaaff.’<br />

The last thing I felt like doing at four-thirty in <strong>the</strong> morning, after<br />

less than two hours’ sleep, was laughing. But this was <strong>the</strong> bhagwan’s<br />

prescribed eye-opener: <strong>the</strong> ‘laughing meditation.’ So I laughed –<br />

ho-ho-ho – suddenly recalling <strong>the</strong> psychedelic laughter on Calangute<br />

beach with David. The more I laughed, oddly enough, <strong>the</strong> more<br />

amused I felt, and <strong>the</strong> more I felt like laughing, until I was slapping<br />

my thighs and weeping with mirth. Eventually I was gasping for<br />

breath, shrieking hysterically, tears in my eyes, hooting and howling<br />

for mercy, and I think this actually irritated Ma Tantra.<br />

‘You ain’t takin’ this seriously,’ she snapped, telling me to stop,<br />

that five minutes was enough, was all <strong>the</strong> bhagwan recommended.<br />

‘How can you take laughing seriously?’<br />

She answered <strong>the</strong> question adequately with a weary glare.<br />

The address I gave <strong>the</strong> taxi driver was 17 Koregaon Park. ‘Rajneesh<br />

ashramasham?’ He knew <strong>the</strong> place, all right.<br />

The pre-dawn light gave <strong>the</strong> impression one was viewing <strong>the</strong><br />

world through <strong>the</strong> sort <strong>of</strong> blue filter used in day-for-night film scenes.<br />

It was difficult to miss <strong>the</strong> ashram, even in this iridescent gloom: a<br />

huge sign in two-foot-high letters stretching above excessively<br />

ornate gates capped by odd looped crenellations read SHREE<br />

RAJNEESH ASHRAM. On ei<strong>the</strong>r side sat large octagonal<br />

gatehouses with small circular windows like portholes. The overall<br />

impression was <strong>of</strong> schizoid neo-utilitarianism, an architect<br />

commissioned to construct a Taj Mahal, <strong>the</strong>n informed he’d be<br />

using concrete, not marble, for <strong>the</strong> job, and would have to dispense<br />

with <strong>the</strong> domes and minarets due to lack <strong>of</strong> funds, besides changing<br />

his original plans to incorporate windows that were <strong>the</strong> wrong shape<br />

and design but came very cheap. In addition, would he mind if a<br />

few structures were designed by o<strong>the</strong>r people, who, although <strong>the</strong>y<br />

knew nothing about architecture, were very keen to take a shot at it?<br />

At least <strong>the</strong> grounds were full <strong>of</strong> trees.

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