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35053668-Empire-of-the-Soul-Paul-William-Roberts

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EMPIRE OF THE SOUL<br />

unfortunately, <strong>the</strong> trust has frequently gone a little too far: for<br />

example, rechiselling eleventh-century sculptures to make <strong>the</strong>m,<br />

in <strong>the</strong> words <strong>of</strong> a Jain I spoke with about this, ‘fresher.’<br />

Stepping past its ancient, authoritarian sentinel, I entered <strong>the</strong><br />

cool and silent temple interior alone, aware only <strong>of</strong> peace and stillness<br />

– until I noticed <strong>the</strong> extremely large cobra lurking in a shady corner<br />

and watching me disapprovingly with black pinhead eyes. It looked<br />

as ready as <strong>the</strong> guardian to enforce any breach <strong>of</strong> protocol. A s<strong>of</strong>t<br />

breeze and pale, yolky sunlight filtered through carved marble<br />

latticework as I trod warily around <strong>the</strong> snake, hearing birds fluttering<br />

and gibbering in <strong>the</strong> eaves. I felt I’d disturbed more than just wildlife.<br />

Suddenly I was face-to-face with <strong>the</strong> giant image <strong>of</strong> Mahavir,<br />

serenely posed cross-legged in his sanctum, with ruby eyes set in<br />

solid gold and oddly watchful, as if that whole veined, translucent<br />

marble body were inhabited. Even <strong>the</strong> hoopoe bird perched<br />

irreverently on <strong>the</strong> idol’s massive head could not detract from <strong>the</strong><br />

still and powerful dignity <strong>of</strong> its ghostly form.<br />

Behind <strong>the</strong> shrine, in a cluttered recess, hung a small clo<strong>the</strong>sline<br />

bearing a large, worn length <strong>of</strong> linen cloth; on a ledge sat a small,<br />

cracked mirror and a metal bowl containing an antique straight<br />

razor. The old guardian probably lived here. I tried to imagine his<br />

life among <strong>the</strong> snakes, <strong>the</strong> rats, <strong>the</strong> birds . . . and <strong>the</strong> vast supernatural<br />

image <strong>of</strong> perfected man, taunting, reprimanding, encouraging.<br />

The Chohani queen, with sixteen damsels in her suite, came<br />

forth. ‘This day,’ she said, ‘is one <strong>of</strong> joy; my race shall be<br />

illustrated, our lives have passed toge<strong>the</strong>r; how <strong>the</strong>n can I leave<br />

him?’ The Bhattiani queen proclaimed, ‘With joy I accompany<br />

my lord . . .’ The Choara rani, Tuar queen and Shekhavati queen<br />

did likewise. For <strong>the</strong>se five queens death had no terrors . . . The<br />

countenances <strong>of</strong> <strong>the</strong> queens were radiant like <strong>the</strong> sun . . . As <strong>the</strong><br />

flames rose, <strong>the</strong> assembled multitudes shouted, ‘Khaman,<br />

khaman’(well done).<br />

– Lt. Col. James Tod, Annals and Antiquities <strong>of</strong> Rajasthan, description <strong>of</strong> sati by<br />

five queens <strong>of</strong> <strong>the</strong> Rajput Potentate Ajit Singh, who died in 1724.<br />

262

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