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35053668-Empire-of-the-Soul-Paul-William-Roberts

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‘BHAGAVAN IS STILL WITH US’<br />

fulfilment – and ten thousand o<strong>the</strong>r concepts humankind has called<br />

<strong>the</strong> sole purpose <strong>of</strong> existence.<br />

From <strong>the</strong> extravagant enigma <strong>of</strong> Sathya Sai Baba to <strong>the</strong> perverse<br />

and baffling actions <strong>of</strong> many Zen masters, spiritual teachers tend to<br />

defy our expectations <strong>of</strong> <strong>the</strong>m. They may act in ways that can be<br />

deliberately <strong>of</strong>f-putting (<strong>the</strong> alcoholism <strong>of</strong> Chogyam Trungpa) or<br />

repugnantly antisocial (<strong>the</strong> cruel humour <strong>of</strong> George Ivanovitch<br />

Gurdjieff). But our own expectations <strong>of</strong> such teachers are yet more<br />

conditioned mental baggage from which <strong>the</strong>ir teachings are<br />

designed to liberate us. The Hindus view <strong>the</strong> playfulness <strong>of</strong> Krishna<br />

or <strong>the</strong> bloodthirsty violence <strong>of</strong> Kali as lila – a divine game. The<br />

Vedas, <strong>the</strong> most ancient Sanskrit texts, believed by some scholars to<br />

have been handed down through an oral tradition thirty thousand<br />

years old, constantly emphasise <strong>the</strong> battle between clouds and rain.<br />

The thunder and <strong>the</strong> sunshine war, yet <strong>the</strong> sun ultimately emerges<br />

victorious. It is <strong>the</strong> battle between spirit and matter, <strong>the</strong> pendulum<br />

swing all <strong>of</strong> us experience between our higher and lower natures.<br />

This is lila, God’s game, played out for his amusement – and thus<br />

our amusement, too.<br />

Maharshi, however, did behave <strong>the</strong> way you expected holy men<br />

to: he lived a humble, disciplined existence, feeding <strong>the</strong> poor, aiding<br />

<strong>the</strong> sick, teaching those who wanted to listen, to learn. He detached<br />

himself from any pleasures <strong>of</strong> <strong>the</strong> flesh. Similarly, beyond taking<br />

<strong>the</strong> few standard medicines I’d noticed still in his room, Maharshi<br />

detached himself from <strong>the</strong> pain <strong>of</strong> cancer in his later years. His<br />

devotees were understandably distraught, begging him to heal<br />

himself as he had healed o<strong>the</strong>rs. ‘The body has decided to get sick,’<br />

he would reply. ‘Why should I interfere with its decisions? What<br />

has it to do with me?’ The long process <strong>of</strong> dying was really <strong>the</strong> last<br />

great lesson he had to teach <strong>the</strong>m.<br />

A few photographs show his emaciated frame in <strong>the</strong> final stages<br />

<strong>of</strong> cancer. He must have endured agonizing pain, despite his<br />

detachment. Those who were with him near <strong>the</strong> end describe him<br />

as allowing himself virtually to disintegrate before <strong>the</strong>ir eyes so that<br />

<strong>the</strong>y would realise <strong>the</strong> nature <strong>of</strong> maya, <strong>the</strong> physical illusion, so that<br />

<strong>the</strong>y would cease confusing forms with reality. Those who witnessed<br />

his actual death say it was like someone shedding an old coat. This<br />

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