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35053668-Empire-of-the-Soul-Paul-William-Roberts

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430<br />

EMPIRE OF THE SOUL<br />

The Siva force is less comprehensible to <strong>the</strong> Christianised Western<br />

mind, which invented a devil to perform those functions <strong>of</strong> Unity it<br />

disapproved <strong>of</strong> and which it did not really understand. Among <strong>the</strong><br />

many ‘works <strong>of</strong> <strong>the</strong> devil,’ remember, were anything that had a<br />

tendency to reconcile opposites: science, for example, or sex.<br />

Saraswati is <strong>the</strong> goddess <strong>of</strong> music, as well as wisdom and<br />

inspiration. Kali is <strong>the</strong> implacable goddess <strong>of</strong> death, whose thirst a<br />

river <strong>of</strong> blood will never quench. They are one and <strong>the</strong> same –<br />

consorts, shakti forces activating two gods, who in turn are attributes<br />

<strong>of</strong> an ultimate truth.<br />

One plus one is always three, not two, <strong>the</strong> process <strong>of</strong> one becoming<br />

two implying a third presence: <strong>the</strong> force <strong>of</strong> becoming itself.<br />

Pythagoras explained it, as did <strong>the</strong> ancient Egyptians he’d learned it<br />

from. Such ineluctable features <strong>of</strong> <strong>the</strong> universe, say <strong>the</strong> Vedas, are<br />

<strong>the</strong> inexplicable unity, something susceptible only to direct<br />

experience, <strong>the</strong> merging <strong>of</strong> subject and object – but <strong>the</strong>y can be<br />

portrayed through <strong>the</strong> mystery <strong>of</strong> number, and through <strong>the</strong> physical<br />

forms <strong>of</strong> number: music composed according to <strong>the</strong> laws <strong>of</strong><br />

harmonics, and architecture based on <strong>the</strong> understanding <strong>of</strong><br />

proportion and harmony that comes from studying natural laws<br />

just as clearly evident out in <strong>the</strong> galaxies as <strong>the</strong>y are deep within<br />

atomic structures or Mandelbrot’s fourth-dimensional sets.<br />

If you drop a chunk <strong>of</strong> burning camphor down into <strong>the</strong> deep<br />

darkness <strong>of</strong> a well in Kashi Karavat, a shrine near <strong>the</strong> golden temple<br />

<strong>of</strong> Vishvanatha, you can glimpse <strong>the</strong> image <strong>of</strong> its god; and beside<br />

this dim and awesome form you may also see, in that pulsing,<br />

variegated, endless night, <strong>the</strong> coldly glinting metal <strong>of</strong> a huge and<br />

sinister sword. This was <strong>the</strong> tool provided for devotees to sacrifice<br />

<strong>the</strong>mselves, when <strong>the</strong> moment arrived, in a final all-consuming<br />

passion to please <strong>the</strong> fierce Lord. No one is permitted to descend<br />

into that well anymore, a Brahmin priest told me.<br />

Rivers <strong>of</strong> blood, rivers <strong>of</strong> life: Benares is where you are supposed<br />

to learn to resolve mighty opposites.<br />

On <strong>the</strong> banks <strong>of</strong> Mo<strong>the</strong>r Ganga, <strong>the</strong> sadhus sit motionless for days,<br />

meditating on <strong>the</strong> funeral pyres that continuously burn alongside<br />

<strong>the</strong>m, and meditating on <strong>the</strong> great life-giving waters into whose

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