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35053668-Empire-of-the-Soul-Paul-William-Roberts

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‘IT IS NOT MY FIRE THAT BURN YOU HERE’<br />

out on <strong>the</strong> streets); motor scooter repairers, kept busy by Benares’<br />

two hundred thousand Indian-made scooters and <strong>the</strong>ir two hundred<br />

thousand built-in faults; an entire business based on selling old<br />

Bisleri mineral water bottles (which is why you check that <strong>the</strong> seal<br />

is intact before buying new Bisleri mineral water bottles); <strong>the</strong> vital<br />

rice stores, this commodity sold by <strong>the</strong> half-ton sack, a week’s supply;<br />

<strong>the</strong> string wallah – Indians being unusually fond <strong>of</strong> string and<br />

insisting on several hundred different kinds for <strong>the</strong> many functions<br />

string performs; <strong>the</strong> jet-powered-firefly blaze <strong>of</strong> welders, men who<br />

weld night and day to prevent <strong>the</strong> collapse <strong>of</strong> infrastructures into<br />

chaos; on each corner, <strong>the</strong> deep fryer, deep-frying almost anything<br />

that will hold up during <strong>the</strong> ordeal, emerging golden with batter,<br />

heavy with fat; <strong>the</strong>re a man selling nothing but fan belts – any<br />

Indian appliance employing a fan belt needed a new one at least<br />

once a day; <strong>the</strong>n <strong>the</strong> old-butane-can wallah, his wares freshly<br />

patched by <strong>the</strong> welder, since <strong>the</strong>y were frequently purchased from<br />

<strong>the</strong> next-<strong>of</strong>-kin after some lethal domestic tragedy <strong>the</strong>y’d played a<br />

major role in; and, stacked exquisitely like art, <strong>the</strong> fruit and vegetables<br />

for vegetarians: aubergines, gourds, cucumbers, mangoes,<br />

tomatoes, papaya, breadfruit, potatoes, onions, chillies in reds and<br />

greens and yellows and oranges in tiny, small, medium, large,<br />

enormous, short, fat, long, thin; more fan belts; screws; nuts and<br />

bolts; deep-fried chillies; yet more fan belts; and seven men with<br />

sewing machines, furiously pumping <strong>the</strong> pedals on <strong>the</strong> pavement,<br />

feeding through new cholis, kurtas, smart Western shirts – thirty<br />

cents a job; near <strong>the</strong>m, <strong>the</strong> sari stalls, ablaze with shimmering<br />

rainbows <strong>of</strong> colour; <strong>the</strong>n <strong>the</strong> lungi wallah, his walls sober, white on<br />

white, <strong>the</strong> khadi cloth dhoti, symbol <strong>of</strong> rebellion against British<br />

rule, and now symbol <strong>of</strong> political power, prominent by its coarse<br />

dullness . . .<br />

Every need <strong>the</strong> citizens <strong>of</strong> Benares had was catered to somewhere,<br />

and catered to by <strong>the</strong> small businessman, <strong>the</strong> one-man op, <strong>the</strong> Maand-Pa<br />

shop. This is life before industrial capitalism. Poverty or<br />

slavery is <strong>the</strong> choice. And thrown in for those who make <strong>the</strong> right<br />

choice: <strong>the</strong> ubiquitous smell <strong>of</strong> corn roasting on open charcoal<br />

braziers, basted with lime juice and spices. Two for three cents.<br />

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