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35053668-Empire-of-the-Soul-Paul-William-Roberts

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224<br />

EMPIRE OF THE SOUL<br />

legal thing – Elizabeth I insisted all plays have five acts, violators<br />

subject to execution by big axe. Subramanian R. found this an<br />

eminently reasonable answer. They were so well behaved, <strong>the</strong>se<br />

students, so polite, that <strong>the</strong>y began to irritate me. This exemplary<br />

behaviour, I came to see, made up for <strong>the</strong>ir salient and prodigious<br />

laziness. The first essay I sat down to mark consisted <strong>of</strong> one single<br />

sentence: ‘The Mabeth is play by english genius SHEIKH SPIRO<br />

he was knowing king and some bad peoples <strong>the</strong>y are not wanting<br />

this man to be <strong>the</strong>ir king so forest is walking to kill him.’<br />

Maybe teaching wasn’t my forte?<br />

It was at <strong>the</strong> university that I met <strong>the</strong> Rajkumar <strong>of</strong> Venkatagiri, a<br />

prince who had some kind <strong>of</strong> financial relationship with education<br />

and religion in South India. His fa<strong>the</strong>r had been one <strong>of</strong> Sathya Sai<br />

Baba’s earliest devotees, although <strong>the</strong> rajkumar did not seem to be<br />

particularly favoured at Brindavan. This prince was a thin, hunched<br />

man in his fifties, with bulging eyes, a nose like a boomerang, and<br />

an air <strong>of</strong> always being cold; something no one ever is in that part <strong>of</strong><br />

<strong>the</strong> world. He also kept inviting me to stay at his palace: ‘You must<br />

come as guest at my palace,’ he’d say. ‘My family have been rajas<br />

<strong>the</strong>re for more than one thousand years, you see.’ The two<br />

statements seemed related.<br />

The idea <strong>of</strong> staying in a ‘palace’ was more than usually attractive<br />

to me at this point. My time around Baba, once more, seemed to be<br />

suddenly over. And King Lear was next on <strong>the</strong> academic agenda. I<br />

couldn’t face attempting <strong>the</strong> plot synopsis.<br />

The crumbling colonial bungalow I’d inhabited now for some<br />

months was also beginning to oppress me. With its rotting rattan,<br />

its brimming septic tank, its eight dilapidated servants who barely<br />

managed <strong>the</strong> workload <strong>of</strong> one part-time man between <strong>the</strong>m, it was<br />

a place I dreaded returning to at night. The electricity supply was so<br />

erratic that I <strong>of</strong>ten had to prepare lectures by candlelight; and when<br />

it did work, <strong>the</strong> plugs and switches frequently provided shuddering<br />

240-volt shocks, unless you operated <strong>the</strong>m with a twig or o<strong>the</strong>r<br />

such nonconductor. Food was kept in contraptions like bird cages<br />

suspended from <strong>the</strong> rafters, to prevent rats getting at it. Giant ants<br />

constructed extraordinary adobe skyscrapers up <strong>the</strong> walls overnight.<br />

And once, out <strong>of</strong> <strong>the</strong> corner <strong>of</strong> my eye, I saw something moving up

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