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35053668-Empire-of-the-Soul-Paul-William-Roberts

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EMPIRE OF THE SOUL<br />

sort <strong>of</strong> built-in rococo shelf unit moulded from white clay and inlaid<br />

with coin-sized mirrors. No two were alike; <strong>the</strong>ir twisting organic<br />

forms were as similar, yet as different, as human faces.<br />

‘My mo<strong>the</strong>r make this,’ a small boy proudly explained in halting<br />

English, displaying <strong>the</strong> series <strong>of</strong> shelves that grew from one wall, a<br />

collaboration <strong>of</strong> nature and man. On each shelf, behind curved<br />

crenellations almost like fat leaves, were piled <strong>the</strong> family possessions:<br />

folded clo<strong>the</strong>s, cheaply framed photographs <strong>of</strong> relatives and prints<br />

<strong>of</strong> gods, an ancient alarm clock, a couple <strong>of</strong> plastic toys.<br />

‘Your mo<strong>the</strong>r?’ I looked at <strong>the</strong> shelf unit’s extravagantly writhing<br />

pediment – forms adapted from nature, improved, <strong>the</strong>n studded<br />

with sparkling mirrors that made light dance around <strong>the</strong> small,<br />

dark room.<br />

‘This tradition for our people,’ <strong>the</strong> boy elaborated, clearly pleased<br />

by my reaction.<br />

I wondered how <strong>the</strong>se shy, happy folk lived out here with nothing<br />

but <strong>the</strong>ir camels and goats, on what seemed to be <strong>the</strong> edge <strong>of</strong> human<br />

history, in such an unfriendly wasteland <strong>of</strong> stones, shells, fossils –<br />

still in many ways resembling <strong>the</strong> seabed it had been a few million<br />

years ago. But <strong>the</strong>n, we all live on <strong>the</strong> edge <strong>of</strong> human history. And<br />

where <strong>the</strong>re had once been nothing but water – nature loves irony,<br />

<strong>of</strong> course – now <strong>the</strong>re was only <strong>the</strong> once precious well, its muddy<br />

depths <strong>of</strong>ten drying up entirely as subterranean streams shifted <strong>the</strong>ir<br />

course. When this happened, <strong>the</strong> whole village would have to move<br />

on or die. For all I know, Jajiya may no longer be <strong>the</strong>re at all now, its<br />

murals and mirrored shelf units already dust in <strong>the</strong> desert, rain on <strong>the</strong><br />

ocean . . .<br />

Barely an hour or so far<strong>the</strong>r on, incendiary air biting through<br />

my thin cotton trousers at that masterpiece <strong>of</strong> a saddle sore, we<br />

passed one such village exodus, now merely a camp <strong>of</strong> skinny,<br />

depressed camels and ragged, weary nomads, <strong>the</strong>ir crimson turbans<br />

and saris <strong>the</strong> only colour we’d seen beneath this pitiless white sky.<br />

Grimy, bright-eyed children ran screaming toward our caravan,<br />

demanding rupees, pens, even empty pop bottles, and throwing up<br />

clouds <strong>of</strong> dust. A sly-looking man, his moustaches like <strong>the</strong> silhouette<br />

<strong>of</strong> a diving swallow, produced a flaccid snake from a battered basket<br />

270

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