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35053668-Empire-of-the-Soul-Paul-William-Roberts

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‘I AM ALWAYS WITH YOU’<br />

small, relatively prosperous South Indian village where life had<br />

changed little in seven hundred years.<br />

In those days Puttaparthi started as yet ano<strong>the</strong>r unplanned,<br />

cluttered community, but rapidly became something more as you<br />

drove in through <strong>the</strong> dust, something you hadn’t seen before. After<br />

eight hours <strong>of</strong> careering through rural eastern Karnataka and southwestern<br />

Andhra Pradesh, I felt I’d seen all <strong>the</strong>re was to see, which<br />

had not amounted to much. But Puttaparthi, where this road<br />

literally ended, more than fulfilled my expectations for <strong>the</strong> home <strong>of</strong><br />

a great holy man.<br />

Cupped in <strong>the</strong> muscular brown palm <strong>of</strong> black-capped mountains<br />

– mountains whose peaks were burned, as legend had it, by <strong>the</strong><br />

monkey god Hanuman’s blazing tail as he flew down to Lanka to<br />

do battle with <strong>the</strong> demon king, Ravana – <strong>the</strong> village had an elegance<br />

about it that reminded me <strong>of</strong> some unspoilt spot in <strong>the</strong> Greek islands.<br />

Everywhere were whitewashed mud-brick houses, many boasting<br />

<strong>the</strong> novelty <strong>of</strong> terracotta-tiled ro<strong>of</strong>s and neat, cool courtyards. The<br />

broad Chitravati River flowed past <strong>the</strong>se dwellings, its waters<br />

swollen deep and heavy that September, a month or so after<br />

monsoon season, a tide <strong>of</strong> liquid turquoise beneath an enormous<br />

blue sky, a sky more exposing than sheltering.<br />

In <strong>the</strong> centre <strong>of</strong> it all, <strong>the</strong> ashram: an enclosure surrounded by<br />

thick twenty-foot high walls that contained a domed temple made<br />

<strong>of</strong> sculptured concrete as ornate as a gigantic wedding cake. This<br />

extravaganza <strong>of</strong> Dravidian rococo was <strong>of</strong>fset by banks <strong>of</strong> three-storey<br />

buildings that would not have looked out <strong>of</strong> place in Warsaw. Yet<br />

<strong>the</strong> temple’s riotous opulence somehow granted <strong>the</strong>m respite from<br />

this blast <strong>of</strong> industrial ugliness, as did <strong>the</strong> magnesium flares <strong>of</strong> fierce<br />

sunshine that flashed red from <strong>the</strong>ir whitewashed walls and made<br />

<strong>the</strong>m at times seem like monoliths carved from solid light. There<br />

was more than enough beauty to go around here. Immaculate<br />

combed ochre sand filled <strong>the</strong> spaces between <strong>the</strong>se structures and<br />

<strong>the</strong>ir temple hub, holding tall, majestic palms that stood like wild<br />

sentries, flailing <strong>the</strong>ir arms, turning <strong>the</strong>ir heads to see who came,<br />

who went.<br />

Immediately outside <strong>the</strong> ashram walls, lining <strong>the</strong> dust road we<br />

drove along, was a strip <strong>of</strong> ad hoc bamboo lean-tos <strong>of</strong> varying<br />

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