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35053668-Empire-of-the-Soul-Paul-William-Roberts

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‘NO LIKE A-FEESH?’<br />

industry, but doing nothing for <strong>the</strong> booze biz. No one even had a<br />

glass. I waved for what I thought to be a fat old waitress. It turned<br />

out to be a hidjra, a eunuch, dressed in a style somewhere between<br />

Vedic rishi and seventies glamrock, an imported cigarette leaning<br />

from its lips like a fishing pole.<br />

‘Accha, swami,’ a husky voice said.<br />

‘Are you serving drinks? Paani ne?’<br />

It shook a coil <strong>of</strong> hair that had fallen like a vine from <strong>the</strong> turret<br />

above, saying, ‘What d’you think I am, darling – <strong>the</strong> staff? How<br />

about a nice little bibi? Three thousand rupees, sweetie – she’s intact.<br />

Only thirteen, just got her in from Mysore. A little oil, sweetie, and<br />

she’ll squeeze <strong>the</strong> juice right out <strong>of</strong> your kebab.’<br />

‘How about a drink first?’<br />

It tossed its head l<strong>of</strong>tily, hissing, ‘Men!’ and trotting back to <strong>the</strong><br />

far and darker end on curiously small feet shod in wedge-heeled<br />

slip-ons. Where <strong>the</strong>re were hidjras, girls were close at hand.<br />

No waiter or waitress appeared. But suddenly <strong>the</strong> band broke up<br />

its huddle over an especially recalcitrant amp, a man resembling<br />

Buddy Miles tripping over <strong>the</strong> snakes’ nest <strong>of</strong> cable writhing across<br />

<strong>the</strong> stage and starting to tap a stand-up mike – <strong>the</strong> way bands used to<br />

at <strong>the</strong> dawn <strong>of</strong> rock. He was joined at ano<strong>the</strong>r mike by a slob who<br />

looked as if his day job were inconveniencing Indian Airlines<br />

customers.<br />

‘Tobleewah-wayoorall,’ Buddy appeared to say. ‘Ah-furrypleez<br />

trooduss Frayyy Trayyy!’ He swung down an arm like a haunch <strong>of</strong><br />

beef, producing a noise resembling several tons <strong>of</strong> rocks dropping<br />

into a grand piano.<br />

Everyone stopped while a neuron-searing whine had half <strong>the</strong><br />

customers stuffing fingers in <strong>the</strong>ir ears and howling back.<br />

I’d ga<strong>the</strong>red <strong>the</strong> band was called Freight Train, because it said so<br />

beneath <strong>the</strong> untidy asterisk <strong>of</strong> gaffer tape holding a bass drum<br />

toge<strong>the</strong>r.<br />

The drummer, a gaunt, skeletal figure, unlike his colleagues,<br />

clambered around his spinney <strong>of</strong> cymbals to peer closely and<br />

pr<strong>of</strong>essionally at <strong>the</strong> amp’s rear. Then he stood, delivered a mighty<br />

kick to its side with shoes <strong>the</strong> shape <strong>of</strong> plasterers’ trowels. The Death<br />

Vibe ceased, and Freight Train began <strong>the</strong>ir set.<br />

355

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