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35053668-Empire-of-the-Soul-Paul-William-Roberts

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‘THERE’S FAR TOO MUCH MUCK TO RAKE HERE!’<br />

<strong>of</strong> purpose are strong. She seemed bashful when I suggested her<br />

work would one day be viewed as <strong>the</strong> foundation <strong>of</strong> Indian feminist<br />

literature – which it will – and, like so many talented people, she<br />

was dismissive <strong>of</strong> her talent. She put one word after ano<strong>the</strong>r: that<br />

was all. I left our chat believing that she genuinely did not realise<br />

how good a writer she was, deciding at <strong>the</strong> same time that that<br />

might be precisely why she was such a good writer.<br />

Many have agreed since <strong>the</strong>n that Shobha Dé will probably get<br />

<strong>the</strong> recognition she deserves abroad before she does in India. Very<br />

far from <strong>the</strong> sentimental melodrama <strong>of</strong> A Suitable Boy, for example,<br />

Ms. Dé’s novels provide a glimpse <strong>of</strong> an India few Westerners are<br />

even aware exists and hardly any will ever see. Out <strong>of</strong> all <strong>the</strong> authors<br />

Davidar has championed, none is more unique than Shobha Dé,<br />

and none is more suited to Western sensibilities, holding as she<br />

does <strong>the</strong> two cultures in which she lives in a perfect balance that<br />

acts as an instrument <strong>of</strong> vision rarely found in literature, and more<br />

useful than a shelf <strong>of</strong> textbooks in purveying that understanding <strong>of</strong><br />

<strong>the</strong> ‘O<strong>the</strong>r’ we crave from <strong>the</strong> traders in words and ideas.<br />

That night Rahul Singh said he was throwing a party for me,<br />

inviting people I ought to meet. But first I had an appointment with<br />

a film star.<br />

We met in <strong>the</strong> Harbour Bar, where every head turned <strong>the</strong> moment<br />

we walked in, and waiters virtually ignored <strong>the</strong>ir o<strong>the</strong>r customers,<br />

replacing our peanuts, ashtrays, and drinks and lighting our cigarettes<br />

whenever <strong>the</strong>se opportunities presented <strong>the</strong>mselves. Four peanuts<br />

gone, and a new bowl came; a centimetre <strong>of</strong> ash required a fresh<br />

receptacle; we must have been served twenty drinks, while actually<br />

drinking less than two; and <strong>the</strong> slightest suggestion that ei<strong>the</strong>r <strong>of</strong> us<br />

intended picking up his pack <strong>of</strong> smokes provoked a frenzy <strong>of</strong> action<br />

resulting in nine arms thrusting flames at us as if we were vampires.<br />

‘You must promise not to be using my name,’ said ————.<br />

‘O<strong>the</strong>rwise I – ’ He mimed cutting his own throat – an action that<br />

brought nine flames to his side.<br />

To be honest, I’d never heard <strong>of</strong> him before this trip to Bombay,<br />

and I’d certainly never seen one <strong>of</strong> his films, but I had been assured<br />

that he was ‘going to be <strong>the</strong> next megastar.’ As in Hollywood,<br />

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