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35053668-Empire-of-the-Soul-Paul-William-Roberts

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‘THERE’S BLOODLETTING AS WE SPEAK’<br />

doors, plodding through <strong>the</strong> suffocating air until I reached <strong>the</strong> top<br />

floor, where a low gate closed <strong>of</strong>f <strong>the</strong> stairs from a dim landing. This<br />

was definitely not <strong>the</strong> house I’d visited in 1974. The corridor I now<br />

faced had yellowed paint blistering or coming <strong>of</strong>f in huge scabs<br />

everywhere. The woodwork was shabby, and a threadbare runner<br />

snaked down <strong>the</strong> grimy floor, <strong>of</strong>f which were doors closed by tattered<br />

old curtains. I called out.<br />

A broad-faced, cheerful woman dressed like a nurse appeared from<br />

behind a rag, opening <strong>the</strong> gate and letting me in. She shouted<br />

something unintelligible down <strong>the</strong> corridor, while a small dog was<br />

going <strong>the</strong> right way about getting a swift kick in <strong>the</strong> skull.<br />

Lady Sinha appeared in a far doorway. An elegant, beautiful<br />

woman, she’d barely changed in twenty years, except for dark circles<br />

beneath her eyes and an expression <strong>of</strong> utter sorrow and fatigue on<br />

her face. Hugs, kisses, <strong>the</strong>n she ushered me down to a sitting room.<br />

Tragically dilapidated, its paint cracked into pockets large enough<br />

to hold magazines, <strong>the</strong> room was thick with a hopelessness and<br />

despair that emanated from every object: from <strong>the</strong> chewed rug and<br />

<strong>the</strong> geriatric s<strong>of</strong>a and chairs; from <strong>the</strong> cluttered dusty cabinet packed<br />

with <strong>the</strong> little mementoes <strong>of</strong> a lifetime; from <strong>the</strong> weary old ceiling<br />

fan that flailed overhead in vain; from <strong>the</strong> tarnished silver frames<br />

bearing photos from that parallel universe where people just like<br />

<strong>the</strong> Sinhas also lived, but looked young and happy; from <strong>the</strong> yellow<br />

net curtains that would dissolve if washed; and from <strong>the</strong> broad,<br />

stained expanse <strong>of</strong> balcony visible through open French doors and<br />

looking onto ano<strong>the</strong>r <strong>of</strong> those hideous concrete towers that march<br />

across every Indian skyline. The sole virtue <strong>of</strong> <strong>the</strong>se structures,<br />

beyond <strong>the</strong>ir cheapness to erect, is that <strong>the</strong>y will surely disintegrate<br />

within twenty years.<br />

‘As you can see, darling,’ Lady Sinha – Anjoo – said in a mournful<br />

cadence, ‘things have changed since you were last here.’<br />

She’d been up all night with her son, who’d been vomiting blood.<br />

He refused to go to hospital, so <strong>the</strong>y’d hired a nurse to look after<br />

him. It wasn’t <strong>the</strong> best arrangement: he’d bribed <strong>the</strong> driver to<br />

smuggle in supplies <strong>of</strong> booze, which he had hidden all over <strong>the</strong><br />

house now. He refused to eat, and spent most <strong>of</strong> his time fighting<br />

with his younger sister, Manjoola, when he was not in a coma.<br />

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