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35053668-Empire-of-the-Soul-Paul-William-Roberts

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‘IF I DIDN’T WANT YOU TO LEAVE THIS PLACE’<br />

That night he had arranged for us to watch old sixteen-millimetre<br />

home movies. The projector was set up beneath <strong>the</strong> stars in a<br />

courtyard, <strong>the</strong> screen a bare wall daubed with scaly whitewash. Our<br />

projectionist turned out to be <strong>the</strong> mad cousin. I did not like having<br />

him behind me. But, after burning several yards <strong>of</strong> film, <strong>the</strong>n getting<br />

a sleeve caught in <strong>the</strong> machine’s teeth, he encountered ano<strong>the</strong>r hitch:<br />

a power cut. No one seemed too upset, including <strong>the</strong> rajkumar, who<br />

confessed that he’d never seen for himself what <strong>the</strong> thousand rusty<br />

canisters <strong>of</strong> film, now piled up in a corner, contained.<br />

I was composing a diplomatic speech about having to leave –<br />

wondering if I’d ever be allowed to – when my host suddenly<br />

announced that he was driving to Madras <strong>the</strong> following day and<br />

could take me along. If I wanted to go, that is.<br />

I felt quite sad saying farewell to <strong>the</strong> little princesses, and <strong>the</strong>y<br />

seemed sad to see me go. The thought <strong>of</strong> leaving <strong>the</strong>m to spend <strong>the</strong><br />

rest <strong>of</strong> <strong>the</strong>ir lives watching <strong>the</strong>ir world literally fall apart around <strong>the</strong>m<br />

haunted me for months. I still think <strong>of</strong> <strong>the</strong>m <strong>the</strong>re, watching Bombay<br />

videos, reading <strong>the</strong> film magazines, dreaming.<br />

The last time I saw <strong>the</strong> rajkumar <strong>of</strong> Venkatagiri was in a restaurant<br />

in Bangalore. It was a warm December night, and he came over to<br />

my table, wearing a thick sweater, hunched and shivering,<br />

complaining about <strong>the</strong> appalling cold. We exchanged small talk<br />

that seemed oddly strained and formal. Perhaps he regretted letting<br />

me inside his life, telling me about his financial woes, his Tamil<br />

starlet? Then I noticed, far back at a corner table, <strong>the</strong> portly form <strong>of</strong><br />

a shabbily elegant woman, staring around at <strong>the</strong> o<strong>the</strong>r diners with<br />

abject terror in her eyes.<br />

‘Isn’t that your wife?’ I asked him.<br />

‘Yes. Wife is <strong>the</strong>re,’ he replied, as if he’d forgotten she was.<br />

‘Is she all right?’ She didn’t look it.<br />

He grinned his cartoonishly deranged, toothy grin, his nose<br />

virtually spiking his chest, and his eyeballs almost squashed against<br />

<strong>the</strong> lenses <strong>of</strong> his glasses. Then he said, ‘She is little nervous, isn’t it?<br />

You see, this is first time ever she is travelling outside palace.’<br />

Perhaps <strong>the</strong>re was hope for those daughters <strong>of</strong> his after all?<br />

Rob Howard, a photographer friend <strong>of</strong> mine, visited Venkatagiri<br />

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