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PROGRAM / PROGRAM Ljudska glasba je že od nekdaj vpeta v skladbe tako imenovane »visoke umetnosti«. Klasične glasbe si brez ljudskih elementov preprosto ne gre zamisliti. Najdemo jo v obliki priljubljenih melodij ali značilnih plesnih ritmov; zdaj subtilno zdaj bolj očitno je prisotna tako v komornih kot orkestrskih delih. Vselej pa nam pričara čudovit občutek vitalnosti. Ljudska glasba se je skoraj v celoti in do poznih let 19. in zgodnjih let 20. stoletja prenašala z ustnim izročilom, vse dokler niso prizadevanja posameznih narodov pozvala k zbiranju ljudskih zakladov. Veliko skladateljev kot so Béla Bartók, Percy Grainger, Gustav Holst in Ralph Vaughan Williams je začelo zbirati podatke o ljudski glasbi in uporabljati postopek snemanja ljudskih godcev na voščene valje. Stik z ljudsko glasbo je močno vplival na njihov stil komponiranja, saj so tovrstne ritmične in melodične elemente vključevali v svoje skladbe. Ljudska glasba je velikokrat nastajala z namenom in se rojevala ob različnih priložnostih: slavje, žalovanje, ritmično ponavljajoča se kmečka opravila ali preprosto preganjanje samote. Podobna potreba po glasbi se prenaša tudi na sodobnega obiskovalca koncertov le, da so danes obredne razloge zamenjali emocionalni. Ljudski pevec Danny Spooner, goslač Mike Kerin in multiinstrumentalist Boštjan Gombač se pridružujejo Richardu Tognettiju, Knutu Eriku Sundquistu, Satu Vänski, Michaelu Kuglu, Igorju Škerjancu in članom kvarteta Engegård na koncertu presenetljivih kontrastov in navdihnjenih odkritij. Folk music has always infiltrated so-called ‘high art’ concerts. Classical music would be simply unthinkable without it. Distinguished by ear-catching tunes, characteristic dance rhythms and a marvellous sense of vitality, it appears in orchestral and chamber music, where sometimes its influence is subtle, and other times overt. Folk music was almost entirely an oral tradition until the late 19 th and early 20 th centuries, when nationalistic fervour swept Europe and prompted wholesale collecting of such treasures. Many composers including Béla Bartók, Percy Grainger, Gustav Holst and Ralph Vaughan Williams, scoured the countryside for songs and tunes remembered by the elderly, and then recorded them on paper or on wax cylinders. Such music tended to be for a purpose: dancing; mourning; rhythmic tasks such as grinding and kneading; or simply to keep oneself company (think of the lonely shepherd’s pipe). This need for music surely exists for the modern concert-goer, although perhaps more for emotional than physical or ceremonial reasons. Traditional singer Danny Spooner, fiddler Mike Kerin and multiinstrumentalist Boštjan Gombač join Richard Tognetti, Knut Erik Sundquist, Satu Vänskä, Michael Kugel, Igor Škerjanec and members of the Engegård Quartet for a concert of surprising contrasts and enchanting discoveries. 116
Četrtek, 10. September 2009 / Thursday, 10. September 2009 aaaaaaaaaaaaaaaaaa Dvorana Union – predbalkonska dvorana ob 18:00 / Union Hall – Balcony Front Hall at 18:00 Bosiljka Perić Kempf: SREČANJA IN POGOVORI MEETINGS AND DISCUSSIONS Primeri dobre kulturne prakse Examples of good cultural practices 117
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3.-13. september 2009 Maribor, Slov
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UVODNIKI / EDITORIALS 4 Lani mi je
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UVODNIKI / EDITORIALS 6 Implausibly
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Ob 150. obletnici Slomškovega prih
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Glasba lahko izreče neizrekljivo U
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Festival Maribor The Maribor Festiv
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Spored / Program: Anton Martin Slom
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je dokončal pri dvajsetih - nekaj
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‘historical’ stance can undoubt
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Petek, 4. september 2009 / Friday,
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Zdi se celo, da je našel pot do ve
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numerous masterpieces that came abo
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Petek, 4. september 2009 / Friday,
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in parodičnim elementom. Nenavadna
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imming with joy. Written partly for
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Sobota, 5. september 2009 / Saturda
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predstavlja osrednji del, ki si ga
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conceived as a rondo in three-eight
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Sobota, 5. September 2009 / Saturda
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Richard Tognetti o Musici Surfici P
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Derek Hynd o Musici Surfici Deskarj
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Jon Frank o Musici Surfici Ime mi j
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Glide, Somewhere To capture an esse
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Derek Hynd about Musica Surfica Sur
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Jon Frank about Musica Surfica My n
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Sobota, 5. September 2009 / Saturda
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življenja, ki se zrcalijo v izvede
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telling of days and seasons gone, o
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Richard Dehmel: Ozarjena noč iz zb
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Poslušalce in muzikologe je vedno
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Listeners and musicologists are alw
Page 65 and 66: had been regarded as incompatible:
Page 67 and 68: Avstralski skladatelj, violist in d
Page 69 and 70: azgibana koda, ki nato resignira v
Page 71 and 72: are virtuoso and arabesque, but not
Page 73 and 74: Elliott Carter (*1908): Scrivo in v
Page 75 and 76: stavek je prvemu podoben po uporabi
Page 77 and 78: cite as the model of the classical
Page 79 and 80: Elena Kats-Chernin (1957*): Re-inve
Page 81 and 82: V Piranu rojeni Giuseppe Tartini je
Page 83 and 84: Kats-Chernin’s music is often der
Page 85 and 86: Josepha Haydna imamo upravičeno za
Page 87 and 88: We justifiably regard Joseph Haydn
Page 89 and 90: of a rondo, connects the thematic i
Page 91 and 92: Trad.: Pastoralne teme / Pastoral t
Page 93 and 94: mrzlem gledališču Theater-an-der-
Page 95 and 96: String Quartet No. 2 was written in
Page 97 and 98: Spored / Program: Wolfgang Amadeus
Page 99 and 100: ljudje navadni, kaj dandanes, prepr
Page 101 and 102: Budala vejo naša lumpstva mala, bu
Page 103 and 104: CARNIVAL OF THE HUMAN ANIMALS By Mi
Page 105 and 106: The me just simply must Unto itself
Page 107 and 108: Childhood must be had when young So
Page 109 and 110: perečim kulturnim, političnim in
Page 111 and 112: and optimistic, while in the three-
Page 113 and 114: Sreda, 9. September 2009 / Wednesda
Page 115: enabled him to break through to the
Page 119 and 120: “You are worth as much as you are
Page 121 and 122: Josepha Haydna upravičeno štejemo
Page 123 and 124: koračniški utrip), solistična li
Page 125 and 126: towards the end of 1876, just after
Page 127 and 128: Petek, 11. September 2009 / Friday,
Page 129 and 130: točk, recitativov in zborov, venda
Page 131 and 132: y his own opera company. Soon compe
Page 133 and 134: Sobota, 12. September 2009 / Saturd
Page 135 and 136: diha. Koncert pa zaključuje rondo
Page 137 and 138: In his concertos, Mozart in a way r
Page 139 and 140: Sobota, 12. September 2009 / Saturd
Page 141 and 142: naroči novo skladbo in tako ne le
Page 143 and 144: Leipziška tradicija je za veliki p
Page 145 and 146: Johann Sebastian Bach’s obituary
Page 147: unfolds on two levels. The first is
Page 150 and 151: IZVAJALCI / PERFORMERS 150 Boris Be
Page 152 and 153: IZVAJALCI / PERFORMERS 152 drugim n
Page 154 and 155: IZVAJALCI / PERFORMERS 154 Airesu,
Page 156 and 157: IZVAJALCI / PERFORMERS 156 Academy
Page 158 and 159: IZVAJALCI / PERFORMERS 158 As a spe
Page 160 and 161: IZVAJALCI / PERFORMERS 160 continue
Page 162 and 163: IZVAJALCI / PERFORMERS like, od teg
Page 164 and 165: friendly session of ‘duelling fid
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IZVAJALCI / PERFORMERS Od leta 1992
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IZVAJALCI / PERFORMERS continued hi
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IZVAJALCI / PERFORMERS 170 the oppo
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IZVAJALCI / PERFORMERS 172 Janez Po
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IZVAJALCI / PERFORMERS 174 čembali
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IZVAJALCI / PERFORMERS 176 nowned S
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IZVAJALCI / PERFORMERS 178 Danny Sp
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IZVAJALCI / PERFORMERS 180 One of N
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IZVAJALCI / PERFORMERS 182 rato Sal
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IZVAJALCI / PERFORMERS 184 Slovakia
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Informacije in prodaja vstopnic INF
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POKROVITELJI / SPONSORS Generalni p
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PROGRAMSKA KNJIŽICA / PROGRAMME BO
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