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ustvarjanja. Nedavno je virtuozni makedonski<br />

kitarist izdal solistični album<br />

»Thunder From The Blue Sky«, ki oslikava<br />

njegove kitaristične korenine in vzore. Na<br />

albumu med drugim gostuje tudi legendarni<br />

nizozemski kitarist Jan Akkerman.<br />

Stefanovski se uspešno poskuša tudi kot<br />

avtor glasbe številnih filmov, ki jo je leta<br />

2001 zbral in izdal v kompilaciji Kino Kultura.<br />

Univerza Cirila in Metoda v Skopju<br />

je leta 2007 njegovo glasbeno udejstvovanje<br />

nagradila s častnim doktoratom.<br />

Vlatko Stefanovski was born in 1957 in Prilep,<br />

FYR of Macedonia in a theatrical family.<br />

He started playing guitar at the age of<br />

13. It is not easy to describe what Vlatko<br />

Stefanovski does with his guitar; it seems<br />

that he has been on a quest for his whole<br />

career to discover the real possibilities of the<br />

instrument. For the last thirty years his work,<br />

both with his band Leb i Sol and his solo<br />

output, has reflected his diverse tastes and<br />

delicate guitar playing. Not many people<br />

have John McLaughlin, Mark Knopfler, Allan<br />

Holdsworth, and Joe Satriani praising<br />

their work. His precise, flowing style was one<br />

of the identifying trademarks of Leb i Sol’s<br />

sound and regardless whether he is playing<br />

acoustic or electric guitar, Stefanovski<br />

has demonstrated musical qualities that<br />

have made him one of the most exciting<br />

and progressive European guitarists. After<br />

Leb I sol he developed a very successful solo<br />

career. In 1997, together with Miroslav Tadić,<br />

a professor at CalArts in LA, he recorded Krushevo<br />

a collection of traditional songs and<br />

reels played on two guitars, which to this<br />

very day is one of the highlights of his career<br />

as a recording and performing artist. His<br />

latest release ‘Thunder from the Blue Sky’<br />

is a magnifi-cent blues record with guitar<br />

legend Jan Akkerman (Focus) contributing<br />

his part and perfectly complementing the<br />

almost dizzying playing of the 6-string virtuoso<br />

from Macedonia. Stefanovski wrote<br />

music for several films which was later collected<br />

and released as Kino Kultura in 2001.<br />

In 2007 Stefanovski was honoured a doctorate<br />

honoris causa at Skopje’s University St.<br />

Kiril and Metodij.<br />

Knut Erik Sundquist<br />

Na Festival Maribor se vrača tudi Knut Erik<br />

Sundquist, eden najodličnejših kontrabasistov<br />

iz dežele fjordov. Sedem let je bil<br />

član Filharmoničnega orkestra Bergen,<br />

danes pa redno nastopa z Norveškim komornim<br />

orkestrom, Norveškim baročnim<br />

orkestrom, Festivalskim orkestrom Lucern<br />

ter Mahlerjevim komornim orkestrom<br />

pod vodstvom Claudia Abbada. Nekdanji<br />

nogometaš je priljubljeni šport opustil<br />

zaradi študija glasbe, prvi kontrabas, ki<br />

ga je prijel v roke, pa je bil izdelan kar<br />

doma; iz vratu očetove kitare in plošče<br />

z domače mize. Na začetku je igral jazz,<br />

nato pa se je pridružil orkestru v mestu<br />

Tromsø. Kot pravi sam, je Mozartov Rekviem<br />

v njem prebudil življenje. Njegovi<br />

recitali so cenjeni tako na Norveškem kot<br />

v tujini, žirija festivala Northern Lights ga<br />

je tako nagradila za dosežke v njegovi<br />

glasbeni karieri. V obrazložitvi so še posebej<br />

pohvalili njegov »suveren nadzor<br />

nad instrumentom, ki je dovršen tako<br />

glasbeno kot tehnično« ter njegov čisti,<br />

elegantni in sijajni zvok. V domačem Harstadu<br />

je Sundquist kontrabasist in vodja<br />

orkestra Divison Music Corps, sicer pa je<br />

tudi član frankfurtskega Ensemble Modern,<br />

s katerim izvaja vsa pomembnejša<br />

dela sodobnih skladateljev.<br />

IZVAJALCI / PERFORMERS<br />

179

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