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ous occasions; parts of the suite appear in various manuscripts and some of them may have been written prior to 1717. The autograph copies of most of the movements have been lost, and so the order of the movements is not entirely clear today; contemporary sources and editions present the movements in various sequences. From the scores that were preserved it was for many years concluded that the pieces fell into three suites, differing in terms of instrumentation and tonality: one in F Major, the second in D Major and the third in G Major. This theory is questionable, however, as in the earliest extant source (a transcription from the early 1720s) the movements in D Major and G Major are ordered in a completely mixed sequence. The ordering of the movements according to tonality was nonetheless followed until the 1730s, and is reflected in Walsh’s editions from 1743. Together with The Music for the Royal Fireworks, The Water Music represents the peak of Handel’s monumental popular style, in which he successfully combined the Italian concerto music making of individual instrumental groups and the French fashion of dance movements. Handel perfected this synthesis by adding a choir of wind instruments and characteristic English folk and dance music (Country Dances), linked to the tradition of Purcell. PROGRAM / PROGRAM Katarina Šter Prevod / Translation: Neville Hall 138
Sobota, 12. September 2009 / Saturday, 12. September 2009 Koncert št. 19 / Concert No. 19 SNG Stara dvorana ob 19:30 / Old Theatre Hall at 19:30 BALKANSKE SUITE BALKAN SUITES KOMORNI GODALNI ORKESTER SLOVENSKE FILHARMONIJE / SLOVENE PHILHARMONIC STRING CHAMBER ORCHESTRA Arvid Engegård, dirigent, violina / conductor, violin Sodelujejo / Featuring: Atle Sponberg, violina / violin Juliet Jopling, viola / viola Jan-Erik Gustafsson, violončelo / violoncello Knut Erik Sundquist, kontrabas / double bass Vlatko Stefanovski, kitara / guitar Theodosii Spassov, kaval / kaval Boštjan Gombač, klarinet / clarinet Matevž Bajde, marimba Danilo Ženko, tonski mojster / sound engineer 139
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3.-13. september 2009 Maribor, Slov
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UVODNIKI / EDITORIALS 4 Lani mi je
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UVODNIKI / EDITORIALS 6 Implausibly
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Ob 150. obletnici Slomškovega prih
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Glasba lahko izreče neizrekljivo U
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Festival Maribor The Maribor Festiv
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Spored / Program: Anton Martin Slom
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je dokončal pri dvajsetih - nekaj
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‘historical’ stance can undoubt
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Petek, 4. september 2009 / Friday,
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Zdi se celo, da je našel pot do ve
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numerous masterpieces that came abo
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Petek, 4. september 2009 / Friday,
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in parodičnim elementom. Nenavadna
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imming with joy. Written partly for
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Sobota, 5. september 2009 / Saturda
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predstavlja osrednji del, ki si ga
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conceived as a rondo in three-eight
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Sobota, 5. September 2009 / Saturda
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Richard Tognetti o Musici Surfici P
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Derek Hynd o Musici Surfici Deskarj
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Jon Frank o Musici Surfici Ime mi j
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Glide, Somewhere To capture an esse
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Derek Hynd about Musica Surfica Sur
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Jon Frank about Musica Surfica My n
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Sobota, 5. September 2009 / Saturda
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življenja, ki se zrcalijo v izvede
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telling of days and seasons gone, o
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Richard Dehmel: Ozarjena noč iz zb
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Poslušalce in muzikologe je vedno
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Listeners and musicologists are alw
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had been regarded as incompatible:
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Avstralski skladatelj, violist in d
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azgibana koda, ki nato resignira v
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are virtuoso and arabesque, but not
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Elliott Carter (*1908): Scrivo in v
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stavek je prvemu podoben po uporabi
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cite as the model of the classical
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Elena Kats-Chernin (1957*): Re-inve
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V Piranu rojeni Giuseppe Tartini je
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Kats-Chernin’s music is often der
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Josepha Haydna imamo upravičeno za
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Page 91 and 92: Trad.: Pastoralne teme / Pastoral t
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Page 97 and 98: Spored / Program: Wolfgang Amadeus
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Page 101 and 102: Budala vejo naša lumpstva mala, bu
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Page 107 and 108: Childhood must be had when young So
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Page 111 and 112: and optimistic, while in the three-
Page 113 and 114: Sreda, 9. September 2009 / Wednesda
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Page 117 and 118: Četrtek, 10. September 2009 / Thur
Page 119 and 120: “You are worth as much as you are
Page 121 and 122: Josepha Haydna upravičeno štejemo
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Page 127 and 128: Petek, 11. September 2009 / Friday,
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Page 131 and 132: y his own opera company. Soon compe
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Page 150 and 151: IZVAJALCI / PERFORMERS 150 Boris Be
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Page 154 and 155: IZVAJALCI / PERFORMERS 154 Airesu,
Page 156 and 157: IZVAJALCI / PERFORMERS 156 Academy
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Page 160 and 161: IZVAJALCI / PERFORMERS 160 continue
Page 162 and 163: IZVAJALCI / PERFORMERS like, od teg
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Page 166 and 167: IZVAJALCI / PERFORMERS Od leta 1992
Page 168 and 169: IZVAJALCI / PERFORMERS continued hi
Page 170 and 171: IZVAJALCI / PERFORMERS 170 the oppo
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Page 174 and 175: IZVAJALCI / PERFORMERS 174 čembali
Page 176 and 177: IZVAJALCI / PERFORMERS 176 nowned S
Page 178 and 179: IZVAJALCI / PERFORMERS 178 Danny Sp
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Page 182 and 183: IZVAJALCI / PERFORMERS 182 rato Sal
Page 184 and 185: IZVAJALCI / PERFORMERS 184 Slovakia
Page 186 and 187: Informacije in prodaja vstopnic INF
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POKROVITELJI / SPONSORS Generalni p
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PROGRAMSKA KNJIŽICA / PROGRAMME BO
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