program - SVIZ

Aladin, Kapljice za ljubezen, Čarobna piščal,
Figarova svatba … Nastopila je na
Dunajskih slavnostnih tednih, na festivalu
Aix-En-Provence in v Luksemburški
operi, kot članica mariborske Opere pa
se je med drugim predstavila kot Margareta
v Gounodovi operi Faust, Nedda
v Leoncavallovih Glumačih, Michaela v
operi Carmen, Jerica v operi Zlatorog V.
Parme in Liu v operi Turandot. Nastopila
je tudi v Wagnerjevem Parsifalu pod taktirko
Mareka Janowskega s filharmonijo
Monte Carlo. Gostuje tudi v Narodni operi
iz Washingtona (kot Michaela in Mimi v
Puccinijevi operi La Boheme). Je uspešna
koncertna pevka. Njen repertoar zajema
Bachov Pasijon po Janezu, Pasijon po Mateju,
Magnificat, Mendelssohnovega Elijo,
Händlove oratorije, Mozartove, Schubertove
in Haydnove maše in drugo.
Wiener Festwochen, the Aix-En-Provence
Festival and the Luxembourg Opera. On
invitation of Placido Domingo she made
a successful debut in Washington national
opera as Mimi in La Boheme in september
2007 and got reinvited as Liu in Turandot
in saison 2008/2009. Future invitations
include Die Schöpfung with Peter Schreier
in Lille, Nedda in Pagliacci, Michaela and
Fiordiligi in her home town Maribor … She
worked with renowned choreographer and
dancer Edward Clug on the Architecture of
Silence project and performed in her hometown
Maribor as Marguerite in Faust. Marek
Janowski invited her to sing 2 concerts with
the Philharmonic Orchestra of Monte Carlo
(Wagner’s Parsifal in concert version in Monaco
and Verdi’s Quatri Pezzi Sacri in Alte
Oper Frankfurt). Her concert repertoire includes
St. John Passion, St. Matthew Passion,
St. Marcus Passion, Christmas oratorio
and Magnificat from Bach, Oratorios from
Haendel as well as Masses from Mozart,
Haydn, Schubert and Bruckner, Schubert’s
Lazarus and Mendelssohn’s Messiah.
Sabina Cvilak was born in Maribor, Slovenia.
She studied singing at the Academy of Arts
in Graz. During her studies, Sabina Cvilak
took part in several competitions and won
several prizes. She finished her postgraduate
studies in 2004 and graduated with
distinction in singing. She gained renown
making successful debuts at the Hamburg
State Opera, the National Opera Houses of
Singapore and Finland. She performed to
great acclaim as Liu in Puccini’s Turandot,
as Michaela in Bizet’s Carmen, as Aminta
in Mozart’s Il Re Pastore and as Antonia in
Offenbach’s The Tales of Hoffmann. In the
2004/2005 season she became Karajandemy
and member of the Vienna State Opera,
where she performed in operas such as
Daphne, Rheingold, Wallküre, Götterdämmerung,
Parsifal, Rigoletto, Aladin, L’eleisir
d’amore, Magic Flute, Nozze di Figaro …
Sabina has already performed at the
Arvid Engegård
Arvid Engegård je stari znanec mariborskih
koncertnih odrov, kjer se je občinstvu
vtisnil v spomin tako kot dirigent in
solist z orkestrom kot komorni glasbenik.
Njegova glasbena pot je zarisana po
vsej Evropi. V času, ko je bil njen direktor
Engegårdov najpomembnejši glasbeni
učitelj, Sándor Végh, je deset let vodil
salzburško Camerato Academico (rezidenčni
orkester Festivala Maribor 2008),
s katero je posnel vse Mozartove Divertimente
in se še posebej zapisal v spomin z
izvedbo Haffnerjeve serenade. Camerato
je vodil tudi na posnetkih vseh Mozartovih
klavirskih koncertov z Andrásom
Schiffom. Po salzburškem obdobju se je
priključil amsterdamskemu godalnemu
kvartetu Orlando, kjer je osem let igral
prvo violino. Engegård ostaja priljubljen
komorni glasbenik in solist po vsej Evropi.
Je soustanovitelj in umetniški vodja
festivala komorne glasbe na Lofotskih
otokih. Vedno bolj prepoznaven je tudi
kot dirigent. Pod njegovo taktirko so med
IZVAJALCI / PERFORMERS
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