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song ‘I Went This Morning Over the Field’ from the cycle Songs of a Wayfarer.<br />

This section reaches a typical climax (or ‘eruption’, as T.W. Adorno would say)<br />

shortly before the end. The second movement is a vigorous ländler, a waltzlike<br />

dance, followed by a dryly ironic funeral march, which the composer<br />

apparently conceived ‘in the style of Callot’. Mahler aimed for a picture in<br />

which a hunter is brought to his final rest by the animals that he had previously<br />

persecuted. Even the opening is unusual with its solo contrabassoon,<br />

after which a long canon develops in which we recognise the famous song<br />

‘Frère Jacques’ in the Minor. The canon is soon joined by tunes reminiscent<br />

of the playing of some out of tune local wind band. A shift from the ironic<br />

is provided by the gentle central section, which is taken from another of<br />

the songs from the cycle Songs of a Wayfarer (‘The Two Blue Eyes of My Beloved’).<br />

The extensive finale is conceived as a kind of ‘journey’ from hell to<br />

heaven: the wild dramatic music first defers to a lyrically withdrawn song,<br />

only to return again, this time together with allusions to motives from the<br />

first movement, until finally the heroic theme prevails – a series of fourths,<br />

this time set in the Major.<br />

PROGRAM / PROGRAM<br />

Gregor Pompe<br />

Prevod / Translation: Neville Hall<br />

20

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